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Marine abstraite 2023-06
Fred Boutet
Painting - 65 x 100 x 2 cm Painting - 25.6 x 39.4 x 0.8 inch
$905
Marine abstraite 2023-02
Fred Boutet
Painting - 65 x 100 x 2 cm Painting - 25.6 x 39.4 x 0.8 inch
$905
Les Demoiselles de Monti
Orest Hrytsak
Painting - 116 x 89 x 2.5 cm Painting - 45.7 x 35 x 1 inch
$11,309
Marine Abstraite 2022-14
Fred Boutet
Painting - 100 x 100 x 2.5 cm Painting - 39.4 x 39.4 x 1 inch
$1,018
Mémorial Australien de Villers-Bretonneux
Philippe Grincourt
Photography - 34 x 51 x 0.1 cm Photography - 13.4 x 20.1 x 0 inch
$181
The one who loves you a lot 24
Poonam Choudhary
Painting - 121.9 x 152.4 x 5.1 cm Painting - 48 x 60 x 2 inch
$1,550
Non-ideal cube eggshell effect
Irena Tone
Sculpture - 16.5 x 16.5 x 17.5 cm Sculpture - 6.5 x 6.5 x 6.9 inch
$1,696
Lewis Carroll - Die jagd nach dem snark
Max Ernst
Print - 33 x 25 x 0.1 cm Print - 13 x 9.8 x 0 inch
$3,166
Arsène
Agathe Lemaire Thalazac
Painting - 150 x 130 x 2 cm Painting - 59.1 x 51.2 x 0.8 inch
$18,094
Scottish Blackface Ram (Ovis Aries)
Barry Davies
Sculpture - 60 x 62 x 42 cm Sculpture - 23.6 x 24.4 x 16.5 inch
$7,012
Bugs Bunny on fire - Basquet Ball - First Collectors Series
Carlos Pun Art
Painting - 90 x 70 x 3 cm Painting - 35.4 x 27.6 x 1.2 inch
$1,800
Power of to love
Cécile Desserle
Painting - 146 x 114 x 2 cm Painting - 57.5 x 44.9 x 0.8 inch
$5,428
Où est Charlie ? III
Tanguy Mendrisse
Photography - 30 x 24 x 0.1 cm Photography - 11.8 x 9.4 x 0 inch
$141
Prémices Diptyque N° 14
J/Y Delaunay-Israël
Painting - 100 x 200 x 3 cm Painting - 39.4 x 78.7 x 1.2 inch
$5,926
Orogenèse XXIII (SG238)
Sylvie Guyomard
Sculpture - 50 x 40 x 3 cm Sculpture - 19.7 x 15.7 x 1.2 inch
$1,357
Passages #812
Nagsoul
Fine Art Drawings - 60 x 100 x 3 cm Fine Art Drawings - 23.6 x 39.4 x 1.2 inch
$1,696
Epouvantail_Art-O-Middle-02
Art-O
Sculpture - 98 x 43 x 48 cm Sculpture - 38.6 x 16.9 x 18.9 inch
$1,244
L'homme bleu à la cigarette 3
Lila Maroun Frem
Painting - 25 x 25 x 1.5 cm Painting - 9.8 x 9.8 x 0.6 inch
$1,583
Turbulence in Kyoto 546
Yasuo Kiyonaga
Photography - 30.9 x 46.3 x 0.1 cm Photography - 12.2 x 18.2 x 0 inch
$1,357
Turbulence in Kyoto 0416
Yasuo Kiyonaga
Photography - 30.9 x 46.3 x 0.1 cm Photography - 12.2 x 18.2 x 0 inch
$1,357
Turbulence in Kyoto 333
Yasuo Kiyonaga
Photography - 30.9 x 46.3 x 0.1 cm Photography - 12.2 x 18.2 x 0 inch
$1,357
Turbulence in Kyoto 4415
Yasuo Kiyonaga
Photography - 30.9 x 46.3 x 0.1 cm Photography - 12.2 x 18.2 x 0 inch
$1,357
Turbulence in Kyoto 4059
Yasuo Kiyonaga
Photography - 30.9 x 46.3 x 0.1 cm Photography - 12.2 x 18.2 x 0 inch
$1,357
Turbulence in Kyoto 3755
Yasuo Kiyonaga
Photography - 30.9 x 46.3 x 0.1 cm Photography - 12.2 x 18.2 x 0 inch
$1,357
Turbulence in Kyoto 3339
Yasuo Kiyonaga
Photography - 30.9 x 46.3 x 0.1 cm Photography - 12.2 x 18.2 x 0 inch
$1,357
Spirit of Forest 7100
Yasuo Kiyonaga
Photography - 40.8 x 28.9 x 0.3 cm Photography - 16.1 x 11.4 x 0.1 inch
$1,809
Spirit of Forest 2041
Yasuo Kiyonaga
Photography - 40.8 x 28.9 x 0.3 cm Photography - 16.1 x 11.4 x 0.1 inch
$1,809
Spirit of Forest 2035
Yasuo Kiyonaga
Photography - 40.8 x 28.9 x 0.3 cm Photography - 16.1 x 11.4 x 0.1 inch
$1,809
Spirit of Forest 124
Yasuo Kiyonaga
Photography - 40.8 x 28.9 x 0.3 cm Photography - 16.1 x 11.4 x 0.1 inch
$1,809
Viva la vida
Yohan Storti
Fine Art Drawings - 41 x 29.7 x 0.1 cm Fine Art Drawings - 16.1 x 11.7 x 0 inch
$622
Presque rien
Yohan Storti
Fine Art Drawings - 41 x 29.7 x 0.1 cm Fine Art Drawings - 16.1 x 11.7 x 0 inch
$622
Two Landscapes 49
Yasuo Kiyonaga
Photography - 48.3 x 32.9 x 0.1 cm Photography - 19 x 13 x 0 inch
$905
Two Landscapes 48
Yasuo Kiyonaga
Photography - 48.3 x 32.9 x 0.1 cm Photography - 19 x 13 x 0 inch
$905
Two Landscapes 36
Yasuo Kiyonaga
Photography - 48.3 x 32.9 x 0.1 cm Photography - 19 x 13 x 0 inch
$905
Stubborn optimiste 4
Nina Schipoff
Photography - 50 x 75 x 0.5 cm Photography - 19.7 x 29.5 x 0.2 inch
$1,696
Stubborn optimiste (3)
Nina Schipoff
Photography - 50 x 75 x 0.5 cm Photography - 19.7 x 29.5 x 0.2 inch
$1,696
Stubborn optimiste (2)
Nina Schipoff
Photography - 50 x 75 x 0.5 cm Photography - 19.7 x 29.5 x 0.2 inch
$1,696
Stubborn optimiste (1)
Nina Schipoff
Photography - 40 x 60 x 0.5 cm Photography - 15.7 x 23.6 x 0.2 inch
$1,131
Spiagge bianche study II
Antoine Rose
Photography - 88 x 200 x 1 cm Photography - 34.6 x 78.7 x 0.4 inch
$14,249
Untitled 4
David Paul Kay
Fine Art Drawings - 16 x 16 x 0.1 cm Fine Art Drawings - 6.3 x 6.3 x 0 inch
$679
Untitled 3
David Paul Kay
Fine Art Drawings - 16 x 16 x 0.1 cm Fine Art Drawings - 6.3 x 6.3 x 0 inch
$679
Untitled 2
David Paul Kay
Fine Art Drawings - 16 x 16 x 0.1 cm Fine Art Drawings - 6.3 x 6.3 x 0 inch
$679
Arty "Balance" Table Lamp Sphere
Irena Tone
Design - 51 x 19 x 15 cm Design - 20.1 x 7.5 x 5.9 inch
$3,053
Poèmes insoumis
André Masson
Fine Art Drawings - 27.5 x 20.5 x 0.2 cm Fine Art Drawings - 10.8 x 8.1 x 0.1 inch
$1,696
Saigon blur LXX
Sven Pfrommer
Photography - 100 x 100 x 3 cm Photography - 39.4 x 39.4 x 1.2 inch
$2,137
Journal D'Un Graveur - Vol. 2 Plate 6
Joan Miró
Print - 57 x 45.5 x 0.1 cm Print - 22.4 x 17.9 x 0 inch
$1,583
Éphémère Sensualité #1
Tanguy Mendrisse
Photography - 40 x 60 x 0.1 cm Photography - 15.7 x 23.6 x 0 inch
$215
The Business Stormtrooper
Ian Philip
Sculpture - 65 x 45 x 30 cm Sculpture - 25.6 x 17.7 x 11.8 inch
$4,410
Warmin Poles - Océan et fonds marins
Janina Rossiter
Painting - 81 x 60 x 2 cm Painting - 31.9 x 23.6 x 0.8 inch
$1,074
White
In physics, white is the sum of all the colours. To the human eye, white appears to be the total absence of colour. Amongst artists, white and its many uses in art are continuously evolving and challenging those who would embrace them. Is white, then, a non-colour, or an enhancer of colours? Intangible or material? Absence or excess?
Since Antiquity, white has been appreciated for its symbolic value. In Ancient Greece, where they would paint their statues, it was a sign of incompletion, whereas the Romans believed it showed pomp and imperialist virtue. With the rise of Christianity, white was used in opposition to black in order to emphasise moral dichotomies: the pure, divine white against the darkness. In some cases, however, white was used to show sickness or death, most notably in the pallid representations of the skeletal, crucified Christ.
In the Renaissance white was used to sublimate faces and backgrounds. Da Vinci even based his sfumato technique on the soft transition from light into darkness. Throughout the history of painting, white was considered precious for its ability to reflect light. It attracts the gaze even when used in the tiniest quantities, and illuminates the subject, drawing out stunning contrasts as seen in the works of Rembrandt, or in Vermeer's famous Girl with the Pearl Earring.
With the rise of Impressionism, white was used as the brightest tone amongst shades of grey. While Manet produced canvases which were forerunners to monochromes, including The Reader, which was almost pure white, Monet delivered a stunning gradient of whites whilst recreating the snow at his home in Giverny. The first true white monochrome appeared with the arrival of Malevitch's White Square on a White Background. The artist said 'I have broken the blue boundary of colour limits, and come out into the white'.
Modernists were equally passionate about white and valued it incredibly highly. Miro in particular questioned the status of white on canvases. In his painting Woman, Bird and Star white is in parts boldly painted, but is also distinctive for its absence around the star. Picasso, on the other hand, explored white in conjunction with his famous coloured periods. Piero Manzoni became famous thanks to his 'achromatic' paintings, a series of canvases produced exclusively in shades of white. Moving into the 20th century, white became synonymous with minimalist abstraction. For artists like Kandinsky, white was a cosmic colour, associated with a spiritual search for the absolute, guiding the artists as he seek to express his emotions.
Today, white remains an ever popular subject. Roman Opalka made his name creating a series of white numbers of a white background, while Daniel Arsham reinvents white walls in galleries by letting his artwork drip down onto them. White is a colour with multiple symbolic interpretations. The colour of divinity or humility; of purity and immaculate, of emptiness and absence, but always colour. If blue has Klein and red has Rothko, it appears that no artist has yet succeeded in fully mastering white – but maybe you'll find them in our selection!