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Spring twilight at the Oslo fjord
Nadezda Stupina
Painting - 81 x 100 x 2 cm Painting - 31.9 x 39.4 x 0.8 inch
$2,759
Le Panthéon (vue de la rue Valette)
Marie France Garrigues
Painting - 55 x 46 x 2 cm Painting - 21.7 x 18.1 x 0.8 inch
$735
Planta de saló 1
Joan Hernández Pijuan
Print - 113 x 76 x 0.1 cm Print - 44.5 x 29.9 x 0 inch
$1,979
Musack Terry Hall tribute
Shepard Fairey (Obey)
Print - 61 x 46 x 0.1 cm Print - 24 x 18.1 x 0 inch
$339
Enfantillages (série)
Nagsoul
Fine Art Drawings - 40 x 30 cm Fine Art Drawings - 15.7 x 11.8 inch
$679
Question d'équilibre
Véronique Baleste
Painting - 82 x 87 x 1 cm Painting - 32.3 x 34.3 x 0.4 inch
$679
Never Never Give Up!
Diederik Van Apple
Sculpture - 33 x 16 x 15 cm Sculpture - 13 x 6.3 x 5.9 inch
$786
Follow Your Heart
Diederik Van Apple
Sculpture - 33 x 16 x 15 cm Sculpture - 13 x 6.3 x 5.9 inch
$786
Fourmis
Éric Dabancourt
Fine Art Drawings - 40 x 40 x 2 cm Fine Art Drawings - 15.7 x 15.7 x 0.8 inch
$611
Abstract Landscape 24.08.21
Viktoria Ganhao
Painting - 80 x 80 x 2 cm Painting - 31.5 x 31.5 x 0.8 inch
$1,244
One Dollar Rols Black & White
Karl Lagasse
Sculpture - 40.5 x 5 x 5 cm Sculpture - 15.9 x 2 x 2 inch
$2,149
Composition 1831-2 carborundum
Pierre Muckensturm
Print - 65 x 50 x 0.5 cm Print - 25.6 x 19.7 x 0.2 inch
$1,583
Vingtquatre détails
Thomas Berthier
Painting - 78 x 52 x 0.5 cm Painting - 30.7 x 20.5 x 0.2 inch
$1,923
Rouge baiser
Martine Fauve Dechavanne
Painting - 61 x 46 x 2 cm Painting - 24 x 18.1 x 0.8 inch
$622
Left (paper) pieces : a cycle
Hansol Yoon
Painting - 53.4 x 38.7 x 2 cm Painting - 21 x 15.2 x 0.8 inch
$1,640
Sans-titre
Gianfranco Baruchello
Fine Art Drawings - 20 x 12 cm Fine Art Drawings - 7.9 x 4.7 inch
$2,827
Games People Play
Mikhail Baranovskiy
Painting - 100 x 70 x 3 cm Painting - 39.4 x 27.6 x 1.2 inch
$2,827
Les Mamelles de Tirésias
Erte Tirtoff
Fine Art Drawings - 37 x 28 x 0.1 cm Fine Art Drawings - 14.6 x 11 x 0 inch
$4,071
Henry V, from Much Ado about Shakespeare
Salvador Dali
Print - 17.1 x 12.7 cm Print - 6.75 x 5 inch
$3,000
Musack Terry Hall tribute
Shepard Fairey (Obey)
Print - 61 x 46 x 1 cm Print - 24 x 18.1 x 0.4 inch
$339
Line 6
Gina Vor
Fine Art Drawings - 29.5 x 19.5 x 0.3 cm Fine Art Drawings - 11.6 x 7.7 x 0.1 inch
$113
Untucked
Amrita Bilimoria
Photography - 71.1 x 50.5 x 0.5 cm Photography - 28 x 19.9 x 0.2 inch
$2,200
Gammes matinales avril 2023 - 10
Benoît Singy
Painting - 99 x 54 cm Painting - 39 x 21.3 inch
$1,131
Gammes matinales Avril 2023 - 09
Benoît Singy
Painting - 84 x 54 cm Painting - 33.1 x 21.3 inch
$1,131
Gammes matinales Avril 2023 - 11
Benoît Singy
Painting - 66 x 54 cm Painting - 26 x 21.3 inch
$1,018
Clouds and pareidolia
Isabelle Fournet
Painting - 90 x 270 x 2 cm Painting - 35.4 x 106.3 x 0.8 inch
$4,410
Currency War € VS ¥ - Version Vase
Li Lihong
Sculpture - 10.2 x 19.5 x 7.5 cm Sculpture - 4 x 7.7 x 3 inch
$565
Currency War White $ vs ¥
Li Lihong
Sculpture - 22.5 x 28 x 16.3 cm Sculpture - 8.9 x 11 x 6.4 inch
$2,262
Série Lignes blanches - Soleil couchant
Lionel Chevalier
Painting - 65 x 81 x 2.5 cm Painting - 25.6 x 31.9 x 1 inch
$1,696
Série lignes blanches - Lignes épurées
Lionel Chevalier
Painting - 65 x 81 x 2.5 cm Painting - 25.6 x 31.9 x 1 inch
$1,696
Lil’ crazy Boombox
Anthony Grip
Sculpture - 25 x 51 x 20 cm Sculpture - 9.8 x 20.1 x 7.9 inch
$1,018
Un peu d'air pur
Alexandra Battezzati
Painting - 100 x 100 x 3 cm Painting - 39.4 x 39.4 x 1.2 inch
$4,410
White
In physics, white is the sum of all the colours. To the human eye, white appears to be the total absence of colour. Amongst artists, white and its many uses in art are continuously evolving and challenging those who would embrace them. Is white, then, a non-colour, or an enhancer of colours? Intangible or material? Absence or excess?
Since Antiquity, white has been appreciated for its symbolic value. In Ancient Greece, where they would paint their statues, it was a sign of incompletion, whereas the Romans believed it showed pomp and imperialist virtue. With the rise of Christianity, white was used in opposition to black in order to emphasise moral dichotomies: the pure, divine white against the darkness. In some cases, however, white was used to show sickness or death, most notably in the pallid representations of the skeletal, crucified Christ.
In the Renaissance white was used to sublimate faces and backgrounds. Da Vinci even based his sfumato technique on the soft transition from light into darkness. Throughout the history of painting, white was considered precious for its ability to reflect light. It attracts the gaze even when used in the tiniest quantities, and illuminates the subject, drawing out stunning contrasts as seen in the works of Rembrandt, or in Vermeer's famous Girl with the Pearl Earring.
With the rise of Impressionism, white was used as the brightest tone amongst shades of grey. While Manet produced canvases which were forerunners to monochromes, including The Reader, which was almost pure white, Monet delivered a stunning gradient of whites whilst recreating the snow at his home in Giverny. The first true white monochrome appeared with the arrival of Malevitch's White Square on a White Background. The artist said 'I have broken the blue boundary of colour limits, and come out into the white'.
Modernists were equally passionate about white and valued it incredibly highly. Miro in particular questioned the status of white on canvases. In his painting Woman, Bird and Star white is in parts boldly painted, but is also distinctive for its absence around the star. Picasso, on the other hand, explored white in conjunction with his famous coloured periods. Piero Manzoni became famous thanks to his 'achromatic' paintings, a series of canvases produced exclusively in shades of white. Moving into the 20th century, white became synonymous with minimalist abstraction. For artists like Kandinsky, white was a cosmic colour, associated with a spiritual search for the absolute, guiding the artists as he seek to express his emotions.
Today, white remains an ever popular subject. Roman Opalka made his name creating a series of white numbers of a white background, while Daniel Arsham reinvents white walls in galleries by letting his artwork drip down onto them. White is a colour with multiple symbolic interpretations. The colour of divinity or humility; of purity and immaculate, of emptiness and absence, but always colour. If blue has Klein and red has Rothko, it appears that no artist has yet succeeded in fully mastering white – but maybe you'll find them in our selection!