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Sans titre,
Circa 1980
Henri Samouilov
Fine Art Drawings : pastel
75 x 110 x 1 cm 29.5 x 43.3 x 0.4 inch
€2,700
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Medium
Dimensions cm • inch
75 x 110 x 1 cm 29.5 x 43.3 x 0.4 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: France
This artwork immediately strikes with its originality and mystical atmosphere. The artist skillfully manipulates shapes and colors to create an enigmatic and dreamlike scene where human, animal, and fantastical elements intertwine. The anthropomorphic figures at the center of the composition captivate with their hybrid appearances, part human, part animal. Some wear flowing white robes that seem to merge into the creatures they accompany, creating an intriguing visual continuity. The presence of eye motifs scattered across the floral creatures and the heads of the characters adds a layer of mystery and symbolism to the piece. These omnipresent eyes appear to observe the scene, creating an atmosphere of universal vigilance and introspection. The animals—a majestic bison and docile goats—enhance the impression of harmony and coexistence between different forms of life. The artist uses earthy and pastel tones, bringing softness to the composition that contrasts with the strangeness of the depicted forms. The natural color palette also contributes to a sense of balance and serenity. The use of sky blue and deep green for the background not only adds depth to the scene but also evokes a natural landscape, perhaps a mysterious forest. This work, through its uniqueness and complexity, invites the viewer to dive into an imaginary world where the boundaries between reality and fantasy are blurred, a world where visual poetry reigns supreme. It is a fascinating illustration of the interconnectedness between humans, nature, and the imagination.
Imagine it at home
Discover more by the artist
Sans titre
Henri Samouilov
Fine Art Drawings - 75 x 110 x 1 cm Fine Art Drawings - 29.5 x 43.3 x 0.4 inch
€2,700
Presentation
Henri Samouilov is an artist born in Paris in 1930. He lived most of his life in Yerres in a house and studio that he designed himself, dividing his work between drawing, painting and sculpture. He first trained in illustration and advertising drawing and then took evening classes at the Académie de la Grande Chaumière in Montparnasse.
His artistic production does not fit into a particular movement or current. Far from conventions, commercial demands or fashions of the time, Henri Samouilov's work is endowed with an uncommon intensity. Full of humanity and altruism, his work is not light and carefree but melancholic, mysterious and sometimes even anxious.
"We could attribute talent to him, but he deserves better than this banality. An uncommon force, a humanity that touches us in each of his works allow us to affirm that Henri Samouilov is a painter worthy of the name, a visionary, a seer in the sense that Arthur Rimbaud understood it."
Philippe Soupault – Co-founder of Surrealism (1963)
His imagination is nourished by the landscapes that are part of his daily life and by a very rich inner world. Thus, through his gaze, the most banal urban scenes gain in poetry and mystery, we also find the imprint of surrealism. As for rural landscapes, they border on the boundaries of reality. Henri Samouilov thus delivers labyrinthine and sinuous compositions that are the fruit of his most secret inner journeys.
Being very reserved by nature, communication and promotion around his work were not his priority. He did not like being the center of attention and preferred the shadows to the light.
Henri Samouilov remained outside the official paths all his life. Protected from the demands of the market and fashion, his work remained deeply personal. Without seeking to please or sell, in a total and honest truth, he left behind him an immensely touching, inventive and profound artistic production.
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