
Bambuzal
José Ignacio Suarez Solis
Painting - 99.8 x 149.9 x 0.3 cm Painting - 39.3 x 59 x 0.1 inch
€2,816
Painting : acrylic
119.9 x 179.8 x 0.3 cm 47.2 x 70.8 x 0.1 inch
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Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Dimensions cm • inch
119.9 x 179.8 x 0.3 cm 47.2 x 70.8 x 0.1 inch Height x Width x Depth
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: Brazil
MATA SÉCULO XV II, 2013 by José Ignacio Suarez Solis From The Series Matas . Acrylic paint on canvas
This artwork is a vibrant explosion of textured brushstrokes, skillfully combining earthy tones and dynamic colors. Dominated by shades of green, yellow, and brown, the piece vividly captures the essence of a dense, abstract forest. On the left, bold, jagged forms reminiscent of rocky formations contrast starkly with the lush foliage on the right. The interplay of light and shadow is masterfully executed, creating depth and movement within the composition. The artist’s use of angular, intersecting lines suggests both chaos and harmony, inviting viewers to lose themselves in the complexity of nature. This gripping juxtaposition of natural elements imbues the work with a sense of energy and life, making it a captivating and thought-provoking piece.
About the seller
The Art Design Project - Art Gallery • United States
Artsper seller since 2019
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Son of Cuban parents, José Ignacio Suarez Solis arrived in Rio de Janeiro during his childhood, settling in Bahia in 1974. Between 1987 and 1993 he studied in the United States, initially in New York and then on the West Coast, where he graduated with a B.A. Architecture from the University of Oregon. In Copenhagen (1990) he had contact with drawing and watercolor, starting to produce journals of sketches. He participated in his first exhibition in Oregon, in 1992. His first architectural project (1991) was the residence of the country, on the escarpment of Baía de Todos os Santos. In 1994, the artist settled on a coffee farm in Chapada Diamantina where he developed the practice of drawing and painting with greater regularity. A regular at Carybé's studio, he was influenced by sculptural practice involving the use of beaten iron. As an architect, José Ignacio was a project manager in the hotel sector, carrying out several transits throughout Latin America - which allowed him to improve his research and greater circulation of his work, integrating private collections spread across the places where he dwelt. In 2004 he did an artistic residency in Helsinki, Finland, redefining the use of your palette. Reinstalled in Salvador in 2018, the artist carries intellectual concerns that lead him between the affection for continental geography and the nostalgia for a destination. His investigations into the mythological imagery of indigenous matrices poetically translate into deities painted on canvas or sculpted in wood, stone, and iron.
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