A premonition of spring,
2024
Ivanyuk Oleksiy
Painting : oil
15 x 20 x 2 cm 5.9 x 7.9 x 0.8 inch
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Dimensions cm • inch
15 x 20 x 2 cm 5.9 x 7.9 x 0.8 inch Height x Width x Depth
Support
Framing
Not framed
Artwork sold in perfect condition
Artwork location: Ukraine
AAA3929
The painting "A Premonition of Spring" depicts a quiet rural scene at the end of winter, where traces of snow still cover the ground, but subtle hints of the approaching spring are starting to emerge. The artwork captures the transition between two seasons, blending the cold, muted tones of winter with hints of warmth and life returning to the landscape. At the center of the composition is a traditional wooden house with a dark roof, partially covered in snow. The house, painted in rich earthy tones of brown, black, and gray, stands out against the surrounding landscape. Its rustic appearance evokes a feeling of solitude and resilience, typical of rural life during the harsh winter months. The house appears to be a symbol of stability and warmth, sheltering its inhabitants from the lingering cold. The snow-covered ground in the foreground is rendered with thick, textured brushstrokes, using shades of white, gray, and pale brown. The uneven surface of the snow suggests that it is starting to melt, revealing patches of earth and stones underneath. The artist skillfully captures the dynamics of melting snow, showing how winter slowly gives way to spring. A figure dressed in blue and red walks along a snowy path, accompanied by a small black dog. The figure's red hat adds a splash of vibrant color to the otherwise muted palette, drawing the viewer's attention to this human element in the painting. The person appears to be going about their daily chores, unfazed by the changing weather. Their presence adds a sense of life and movement to the otherwise quiet landscape. The background features trees and bushes, painted in shades of dark green, gray, and brown, with snow clinging to their branches. The trees, partially obscured by snow, stand tall and resilient, mirroring the enduring spirit of nature. The sky above is painted in soft, muted tones of gray, lavender, and pale blue, suggesting a cloudy, overcast day. The light breaking through the clouds hints at warmer days ahead. The brushwork in this painting is bold and expressive, with the use of a palette knife technique to create thick, textured layers of paint. The texture adds a three-dimensional quality to the scene, making the snow, trees, and house appear more tangible and lifelike. The overall mood of the painting is peaceful and reflective, evoking a sense of anticipation and renewal. The landscape feels calm and quiet, as if nature is holding its breath before the arrival of spring. The use of cool, muted colors conveys the lingering presence of winter, while the warm tones and bright splashes of color hint at the hope and vitality that come with the change of seasons. "A Premonition of Spring" symbolizes the end of winter and the beginning of a new cycle. The painting captures the transitional moment when nature awakens from its slumber, and life slowly returns to the land. The figure in the painting, walking along the melting path, embodies the human connection to nature's rhythms. The painting serves as a reminder of the inevitability of change and the promise of renewal, inspiring a sense of hope and optimism as winter fades away. The artist's signature in blue is visible in the bottom right corner, harmonizing with the cool tones of the snow and sky. This painting invites the viewer to reflect on the natural cycles of life and the quiet beauty of seasonal transitions, celebrating resilience, renewal, and the promise of new beginnings.
About the seller
Ukrainian Vintage Co • United States
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Presentation
Oleksiy Andriyovych Ivanyuk was born on March 13, 1954, in the city of Pyriatyn, Poltava Oblast, Ukraine. He is a painter and is married to O. Ivanyuk. He became a member of the National Union of Artists of Ukraine (NSHU) in 2003.
He completed his education at the Crimean Art School in Simferopol in 1987, where he was taught by prominent instructors including V. Bernadsky, L. Greiser, and M. Morgun. From 1988 to 2008, he taught fine arts at the Pyriatyn School-Gymnasium of Aesthetic Education.
Oleksiy Ivanyuk has been actively engaged in artistic work and has participated in national and international art exhibitions since 1978. He has held solo exhibitions in various locations including Kyiv (2003, 2007-2009), Lubny (Poltava Oblast), California (USA; both in 2006), Poltava (2007, 2010), Pryluky (Chernihiv Oblast, 2008), and Warsaw (2009).
His primary genres of art are landscape and still life. His paintings are characterized by emotional sincerity and a warm, soulful quality that affirms the harmony of life. His creative work is deeply rooted in national traditions and the cultural heritage of Ukraine.
Some of his artworks are preserved in the National Art Museum (NHM), the Taras Shevchenko National Museum, the Museum of Cultural Heritage in Kyiv, and the Poltava Local Lore Museum.
Some of Oleksiy Ivanyuk's notable works include:
- "March" and "Wildflowers" (both 2002)
- "Twisted Gentlemen" and "Still Life with Narcissus" (both 2004)
- "Sunflower Field," "Apple Blossom," and "Evening Breath" (all 2005)
- "Silence" and "Summer" (both 2006)
- "Sunflowers" (2007)
- "Star Field," "Such a Life...," and "In the Garden" (all 2009)
- "Cold" (2010).
These artworks showcase his talent and artistic expression, often focusing on themes related to nature and the Ukrainian cultural heritage.
After graduating from the N. Samokish Crimean Art School, the elder generation of Ivanyuks, Oleksiy and Oksana, founded their own art school in Pyriatyn, a small town in Poltava Oblast, which they supported financially for over a decade. Growing up under the influence of classical art, the couple favored working from nature, depicting classical still life and monumental canvases, with the secret of their compositional and dramatic strength lying in the use of naturism as their core philosophical concept.
In Oleksiy Ivanyuk's Poltava landscapes, there is a greatness in simplicity, a view of ordinary suburban landscapes as wonders that are no longer accessible to the average resident of a metropolis. Fauvist colors and impasto techniques are applied by the master to enhance expressiveness, while thick brushstrokes emphasize the form and relief of the depicted objects. Familiar places, houses immersed in green gardens, boundless steppes, fields, forest glades, and streets become lyrical abstractions and reach the level of aesthetic reflection, reflecting the author's sensory perception of the world.
In Oksana Ivanyuk's vibrant floral still lifes, baroque polyphony is embodied, which is why seemingly secondary elements become the main elements of the composition. Her lush bouquets are universal floral images of binary culture, with a variety of meanings that correspond to the main higher needs of existence. For Oksana Ivanyuk, reproducing flowers is always a display of personal experiences, a demonstration of her own attitude towards life situations, and the image itself becomes a symbol of beauty and harmony.
Both artists, Oleksiy and Oksana, have a unique approach to their craft, infusing their works with emotions, insights, and reflections on the world around them. Their dedication to preserving and promoting art is evident through their art school, where they pass on their knowledge and passion to the next generation of aspiring artists. Their creative endeavors continue to leave a lasting impact on the art world, inspiring viewers and fellow artists alike with their powerful and evocative works.
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