Portrait of a Young Lady with Leather Jacket and Black Eye (1632)
Helen Gorill
Painting - 57 x 46 x 1 cm Painting - 22.4 x 18.1 x 0.4 inch
€2,230
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Baron Pump: Portrait of Admiral of the Fleet, 1st Baron Anson, photobombed by Lil Pump,
2019
Helen Gorill
Painting : oil, collage, Posca, makeup
59 x 49 x 3 cm 23.2 x 19.3 x 1.2 inch
€2,348
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Dimensions cm • inch
59 x 49 x 3 cm 23.2 x 19.3 x 1.2 inch Height x Width x Depth
Support
Framing
Golden wood ornate
Artwork dimensions including frame
65 x 55.5 x 4.5 cm 25.6 x 21.9 x 1.8 inch
Tags
Artwork sold in perfect condition
Artwork location: United Kingdom
Presented here is a painting of the 1st Baron Anson (Admiral of the Fleet), photobombed by the Miami Rapper Lil Pump. A note on the framing: The antique gilt frames carefully sourced for this series are all valuable, and according to antique frame experts, will increase in value. The frames have been carefully sourced from stately home sales across the UK. The frames each have a unique history of their own, evidenced through the individual marks on the frames which are part of the piece itself and part of their own history.
Unlike the majority of contemporary artworks, the frames were acquired before the artworks were created, so that each painting has been created specifically to fit each individual antique frame. Rather than hiding the past, the frames have deliberately been left with the marks made over time – these frames are up to 200 years old and have lived through incredible histories, the scars of their past are visible as they should be. As stated by Historic England, ‘the unnecessary replacement of historic fabric, no matter how carefully the work is carried out, can in most situations have an adverse effect on character and significance’. Each frame has been identified by age, style and where possible, provenance.
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Unlike the majority of contemporary artworks, the frames were acquired before the artworks were created, so that each painting has been created specifically to fit each individual antique frame. Rather than hiding the past, the frames have deliberately been left with the marks made over time – these frames are up to 200 years old and have lived through incredible histories, the scars of their past are visible as they should be. As stated by Historic England, ‘the unnecessary replacement of historic fabric, no matter how carefully the work is carried out, can in most situations have an adverse effect on character and significance’. Each frame has been identified by age, style and where possible, provenance.
Imagine it at home
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Cardi Queen B: the Armada Portrait of Queen Elizabeth I (1588) with Bubblegum, swallow tattoo and Pearl Necklace
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Painting - 117 x 95 x 4 cm Painting - 46.1 x 37.4 x 1.6 inch
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Presentation
British artist Helen Gorrill, focuses on the so called feminist art. A lecturer, curator, art historian, good scholar, the artist feeds her creations with her different skills. She obtained a degree in design from the School of Fine Arts in 2009, Helen Gorrill also holds a Ph.d in contemporary British painting. She is the coodinator of the group "The Feminist Art Project" based in the United Kingdom (at Rutgers University) which focuses on the aesthetic, intellectual and political impact that women have had on visual art, art history and the artistic practice.
Helen Gorrill gets her theories from Michel Foucault (his criticism of the regulation of bodies) and from Hegel (with his dialectic of the master and the slave). She gets inspired by Pop art, particularly by Andy Warhol.
Helen Gorrill deciphered the post-feminist concepts, the repercussions of a patriarchal society, power and control. Her researches focuses on the making of patriarchy by male scripts (the bible and the popular culture). She reverses the social norms by demanding the construction of a cultural state and non a natural state. Hemen Gorril points at the place of women-artist at the heart of a patriarchal society.
Helen Gorril draws her inspiration from sculpture and embroidery (linked to collective imagery and to the female figure) to shape a subvesive, subtle and meticulously constructed art. The aesthetic emotion when facing refinement is accompanied by questions and a political momentum. Her work has been the object of controversy, an indication of an artist who challenges and disturbs to shake our ideals.
Helen Gorril's work has been exhibited in numerous private and public collections everywhere around the world. She has obtained several residencies in order to deepen her researches: Paris (2011), Isle of Skye (2012), Czech Republic (2012), Paris, (2013), Milan (2013), Naples/Ischia, New York-Brooklyn (2014).
Read more
Helen Gorrill gets her theories from Michel Foucault (his criticism of the regulation of bodies) and from Hegel (with his dialectic of the master and the slave). She gets inspired by Pop art, particularly by Andy Warhol.
Helen Gorrill deciphered the post-feminist concepts, the repercussions of a patriarchal society, power and control. Her researches focuses on the making of patriarchy by male scripts (the bible and the popular culture). She reverses the social norms by demanding the construction of a cultural state and non a natural state. Hemen Gorril points at the place of women-artist at the heart of a patriarchal society.
Helen Gorril draws her inspiration from sculpture and embroidery (linked to collective imagery and to the female figure) to shape a subvesive, subtle and meticulously constructed art. The aesthetic emotion when facing refinement is accompanied by questions and a political momentum. Her work has been the object of controversy, an indication of an artist who challenges and disturbs to shake our ideals.
Helen Gorril's work has been exhibited in numerous private and public collections everywhere around the world. She has obtained several residencies in order to deepen her researches: Paris (2011), Isle of Skye (2012), Czech Republic (2012), Paris, (2013), Milan (2013), Naples/Ischia, New York-Brooklyn (2014).
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