
In the Silence of the Drum,
2022
Simphiwe Ndzube
Print : Screen Print
80 x 80 x 2 cm 31.5 x 31.5 x 0.8 inch
One of the last works available by this artist
Second NOT DISPLAYED BLUR TEXT
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About the artwork
Type
Numbered and limited to 53 copies
1 copy available
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Medium
Dimensions cm • inch
80 x 80 x 2 cm 31.5 x 31.5 x 0.8 inch Height x Width x Depth
Support
Framing
Not framed
Artwork sold in perfect condition
Artwork location: United States
Medium: Screen Print using three special effects: zinc on the left waveboard, solar gold on the islands, and magenta metallic on the horse and the face.
Edition: 10/55
Notes: Artwork is in Excellent Condition. New. Unframed. Signed, dated, titled, and numbered (lower sheet).
About the seller
End To End Gallery • United States
Artsper seller since 2020
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Presentation
Simphiwe Ndzube is from Hofmeyr, Eastern Cape, and lives and works in Los Angeles, California, and Cape Town, South Africa. He has a BA Fine Art from the Michaelis School of Fine Art, University of Cape Town.
Ndzube's work is characterized by a fundamental interplay between objects, media and two-dimensional surfaces; stitching together a subjective account of the Black experience in past and present-day South Africa from a mythological perspective. Recent exhibitions include Isithunywa so Moya | Messenger of the Spirit, Nicodim Gallery, Los Angeles, USA (2022, solo); Masemola Road, Stevenson Gallery, Cape Town (2022); and Oracles of the Pink Universe, Denver Art Museum, Denver USA (2021, solo). His work is collected by the Los Angeles County Museum of Art; Denver Art Museum; Musée d'art Contemporain de Lyon, France; Iziko South African National Gallery, South Africa; Zeitz Museum of Contemporary Art Africa, South Africa; Rubell Museum, and many others.
Narrative influences include Ben Okri, Alejandro Jodorowsky, Gabriel García Márquez, Italo Calvino, and Zakes Mda. In particular, Ndzube highlights Magical Realism: Theory, History, Community by Wendy B Faris and Lois Parkinson Zamora which describes magical realism as "a mode suited to exploring—and transgressing—boundaries, whether the boundaries are ontological, political, geographical or generic. [It] facilitates the fusion, or coexistence, of possible worlds, spaces, [and] systems that would be irreconcilable in other modes."
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