# Idée noire, 9,
2025
Marc Leforestier
Print : steel, pigment ink, paper, fine art print, giclée
100 x 75 x 2.5 cm 39.4 x 29.5 x 1 inch
€790
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About the artwork
Type
Numbered and limited to 10 copies
3 copies available
Signature
Plate signed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Dimensions cm • inch
100 x 75 x 2.5 cm 39.4 x 29.5 x 1 inch Height x Width x Depth
Support
Framing
Not framed
Artwork sold in perfect condition
Artwork location: France
Work printed on Canson® Infinity satin 310 gr paper with protective matte lamination then mounted on Dibond® 2 mm with retractable frame.
This abstract artwork is distinguished by a dynamic interplay of shapes and contrasts in black and white. Dominated by bold curves and flowing lines, the canvas evokes both movement and balance. The textural contrasts, with thick brushstrokes and smooth areas, create a captivating visual depth. Each form, though free-form, blends harmoniously into the larger picture, emphasizing the work's organic feel. The juxtaposition of light and shadow gives the painting an almost three-dimensional quality, inviting the viewer to explore the subtle nuances. This work embodies a perfect balance between chaos and order, illustrating the artist's mastery of creating striking visual tension. Both modern and timeless, it draws the eye and invites reflection.
About the seller
Professional art gallery • France
Vetted Seller
Imagine it at home
Discover more by the artist
# Organique, 223
Marc Leforestier
Painting - 100 x 100 x 2.3 cm Painting - 39.4 x 39.4 x 0.9 inch
€1,420
Presentation
My paintings have been exhibited nationally, and some have been purchased abroad. For me, colors and shapes are the basis of abstract painting. I express myself primarily on wood or heavy linen canvases. These supports allow me to feel closer to reality and thus find greater balance in my work. I use various media such as binders, plaster, acrylic, charcoal, pencils, rare pigments, varnishes, and collage in my artistic process.
"The primary purpose of the material is not to give a sense of volume to the work. It must be left in its imprint state, it must remain, nevertheless, as a founding part of the project, upon contact with it the work comes to life."
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