Danseuse,
1957
Gino Severini
Print : lithography
65.5 x 39.5 x 0.3 cm 25.8 x 15.6 x 0.1 inch
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About the artwork
Type
Numbered and limited to 175 copies
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Medium
Dimensions cm • inch
65.5 x 39.5 x 0.3 cm 25.8 x 15.6 x 0.1 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: Italy
Hand signed. Edition of 175 prints plus some Artist's proofs.
Bibliography: F. Meloni, Gino Severini. Tutta l’opera grafica, Libreria Prandi, Reggio Emilia 1982, pp. 80-81, n. 32.
Gino Severini (Cortona, April 7, 1883 – Paris, February 26, 1966) Severini moved to Rome when he was young, where besides working as an accountant, he began attending an evening class in drawing at a school known as “Gli Incurablili”. Soon he comes into contact with the intellectual and artistic circles of the capital, becoming a friend of Balla and Boccioni in 1901. In 1906, he moves to Paris where, thanks to the influence of Seurat, Signac and Dufy he reconsiders his work in light of new suggestions; to a style that is still formally tied to tradition and to the past of Renaissance painting, Severini opposes the experimentation of new color techniques.
His encounter with Cézanne pushes Severini to start his own unique painting route. It was at that point, that he assumed his style, which combined the poetry gathered from a Parisian environment with a clear futuristic impression. In 1910, together with Boccioni, Carrà, Balla, and Russolo, he signs the Manifesto of the Futurist Painters.
His first solo exhibition is set up at the Marlborough Gallery in 1913 and in 1916, he does a solo exhibition in Paris and participates in other collective shows with Picasso, Derain, Modigliani, Lipchitz and Villon. He also collaborates with the magazines, “Sic” and “L’Elan”. Once detached from the futurist group, Severini approaches cubist painting and around 1917-1918 the work of Juan Gris and Braque. In 1919, the artist signs a three-year contract with the art dealer, Leon Rosenberg. Around the Twenties, his painting returns to a sort of neoclassicism codified in the writing, “Du cubism au classicisme” (From Cubism to Classicism) from 1921.
During the following years, the artist continues on this formal path of detachment from the avant-garde movements and returns to the order of tradition. He holds numerous shows in Europe and abroad and participates in various editions of the Venice Art Biennial.
This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by an artist who has died requires a licence for export regardless of the work’s market price. The shipping may require additional handling days to require the licence according to the final destination of the artwork.
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Bibliography: F. Meloni, Gino Severini. Tutta l’opera grafica, Libreria Prandi, Reggio Emilia 1982, pp. 80-81, n. 32.
Gino Severini (Cortona, April 7, 1883 – Paris, February 26, 1966) Severini moved to Rome when he was young, where besides working as an accountant, he began attending an evening class in drawing at a school known as “Gli Incurablili”. Soon he comes into contact with the intellectual and artistic circles of the capital, becoming a friend of Balla and Boccioni in 1901. In 1906, he moves to Paris where, thanks to the influence of Seurat, Signac and Dufy he reconsiders his work in light of new suggestions; to a style that is still formally tied to tradition and to the past of Renaissance painting, Severini opposes the experimentation of new color techniques.
His encounter with Cézanne pushes Severini to start his own unique painting route. It was at that point, that he assumed his style, which combined the poetry gathered from a Parisian environment with a clear futuristic impression. In 1910, together with Boccioni, Carrà, Balla, and Russolo, he signs the Manifesto of the Futurist Painters.
His first solo exhibition is set up at the Marlborough Gallery in 1913 and in 1916, he does a solo exhibition in Paris and participates in other collective shows with Picasso, Derain, Modigliani, Lipchitz and Villon. He also collaborates with the magazines, “Sic” and “L’Elan”. Once detached from the futurist group, Severini approaches cubist painting and around 1917-1918 the work of Juan Gris and Braque. In 1919, the artist signs a three-year contract with the art dealer, Leon Rosenberg. Around the Twenties, his painting returns to a sort of neoclassicism codified in the writing, “Du cubism au classicisme” (From Cubism to Classicism) from 1921.
During the following years, the artist continues on this formal path of detachment from the avant-garde movements and returns to the order of tradition. He holds numerous shows in Europe and abroad and participates in various editions of the Venice Art Biennial.
This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by an artist who has died requires a licence for export regardless of the work’s market price. The shipping may require additional handling days to require the licence according to the final destination of the artwork.
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Black Composition
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Presentation
Considered the most French of Italian painters and designers, Gino Severini was born in Tuscany in 1883 and died in Paris in 1966. While being an active member and creator of the Italian futurist manifesto, he rubbed shoulders in France with the artistic avant-garde and during his career. career as a painter, he crosses all the major pictorial currents of the twentieth century, he will start with divisionism, then futurism, cubism, figurative to end with neo-futurism and finally abstraction. He is a great Italian painter of the 20th century, and today we can find his works in many modern art museums (Paris, Rotterdam and New York in particular).
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