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Neo-K19 #3,
2019
Alexandre Bavard
Sculpture : acrylic, plaster
24 x 21 x 2 cm 9.4 x 8.3 x 0.8 inch
$780
780 $US
One of the last works available by this artist
Secure delivery : Jersey
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Medium
Dimensions cm • inch
24 x 21 x 2 cm 9.4 x 8.3 x 0.8 inch Height x Width x Depth
Display
The sculpture cannot be displayed outdoors
Artwork sold in perfect condition
Artwork location: France
The vacant lots are like vestiges, they constitute our contemporary archeology, the transition between two temporalities, between two civilizational existences. What remains of our forgetfulness?
Everyday objects, decrepit wallpaper, steel rods rising from cinderblock, as many clues, spectrums, tracks to reconstruct.
The calm, hovering, mysterious, virgin of all presence.
This is to highlight the «supernaturation» of these remains. Faced with the finds of a distant past, the Romans adopted a singular attitude. As P. Jockey evokes, in his book, archeology: «They ignored what were these objects - that is, objects created by the hand of man - rather lending them a over-natural origin.»
This is the case, for example, of «fulmini stones» or «thunder stones», simple tools or weapons of the Stone Age which for the Roman emperor Galba, became an omen for his destiny as emperor.
What power can we give to the artifacts around us? The «supernaturalistaion» also inhabits the adoration of relics, bones, and other remains.
Man needs to give meaning to his origins.
The Neo-Archeologia sculpture series is anchored in this thought: «Relics of a future or forgotten past. Found after a search, in a vacant lot. The perceptible radioactivity. Clusters of different objects coming out of the ground, agglomerating with each other».
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Everyday objects, decrepit wallpaper, steel rods rising from cinderblock, as many clues, spectrums, tracks to reconstruct.
The calm, hovering, mysterious, virgin of all presence.
This is to highlight the «supernaturation» of these remains. Faced with the finds of a distant past, the Romans adopted a singular attitude. As P. Jockey evokes, in his book, archeology: «They ignored what were these objects - that is, objects created by the hand of man - rather lending them a over-natural origin.»
This is the case, for example, of «fulmini stones» or «thunder stones», simple tools or weapons of the Stone Age which for the Roman emperor Galba, became an omen for his destiny as emperor.
What power can we give to the artifacts around us? The «supernaturalistaion» also inhabits the adoration of relics, bones, and other remains.
Man needs to give meaning to his origins.
The Neo-Archeologia sculpture series is anchored in this thought: «Relics of a future or forgotten past. Found after a search, in a vacant lot. The perceptible radioactivity. Clusters of different objects coming out of the ground, agglomerating with each other».
About the seller
Galerie Molin Corvo • France
Artsper seller since 2015
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This seller rewards your purchases of multiple artworks
Presentation
Born in 1987, lives and work in Paris.
Alexandre Bavard is based in Paris, France and is a Alumni of École nationale supérieure des beaux-arts de Lyon. Alexandre Bavard can be seen as a playwright, and performer, all in one. His work expands from fine art sculpture, prints, and paintings into video, music and dance. Bavard creates various worlds influenced by his Georgian roots, science fiction, and for the need of escapism and discovery.
Bavard is interested in creating a visual language, a form of expression that transcends any specific medium, and is fueled by repetition, movement, and flow. His broad range of works are tied by the theme of a post-urban world, meaningful artifacts of a past utopia that its significance has long been lost and repurposed as rarity and artifact. Bavard has titled this series,
Neo-Archelogia, which refers to his process of casting the shape or transferring the impression of these found artifacts into sculptures and prints.
Prizes /
« Jeune révélation talents » urban art price 2017. ADAGP / Palais de Tokyo Prix de Nôel, Le magasin. Grenoble
Residency /
Swatch Art Residency, Shanghai, China
Conferences /
Studio Gallery. Shanghai TED TALK, Bari, 2017
Exhibitions /
January 2020 Think less, stupid more. Studio Gallery. Shanghai, China
December 2019 Let us In, Dusseldorf, Germany
October 2019 Unexpected, Fort Smith, Arkansas, Usa NO STRESS, screening exhibition.Tick Tack gallery, Ghent, Belgium
September 2019 Let us in together, Clichy
August 2019 Time to upgrade.Garikula Art center. Georgia. After the Future. Triumph Gallery. Moscow June 2019 Vilnius Art Fair. Lithuania
May 2019 Grappling. Performance. Palais de Tokyo. France
April 2019 End, groupshow. New Image Art Gallery. Los Angeles
March 2019 TRANSFR, Pt2 Gallery. Okland.USA Transfr#2. Cluster Configuration. Roma . Italy
November 2018 RER.B, Meca Art fair, Justkids. Puerto Rico.USA
August 2018 Aqua-V. Museum of Modern Art , Catanzaro. Italy
September 2018 G.Supporterz. V5 Galery, Neuchâtel. Switzerland
April 2018, Coco Galba «The carnaval is over», Macao, Milan. Italy
February 2018 Set adrift on memory bliss, Pablo’s Birthday Galery, New York. USA SYSTEM, Lepeuve, Paris. France
December 2017 Konkret1987, Gr_und Galery, with the support of the French Institute in Berlin. Germany
November 2017 Collective exhibition «Qui es-tu lorsque personne ne te regarde ?», Maëlle Galery, Paris. France SHORT CIRCUIT, Block House Galery, Tokyo. Japan
September 2017 SCULP, Collective exhibition, Needles and pen Gallery, San Francisco. USA Uncanny, exhibition / performance, Tunisie
June 2017 BULKY, exhibition / performance, Palais de Tokyo. Paris
Mai 2016 OZONE, P38 Galery / Paris. France
Decembre 2014 Exposition de Noël, Ancien musée de peinture, Grenoble. France
September 2014 Toy, FRAC Nord-Pas de-Calais / Dunkerque. France
Sculptors
French artists
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