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512 HOURS,
2012
Marina Abramovic
Print : fine art print
4 x 65 x 40 cm 1.6 x 25.6 x 15.7 inch
$3,035
3 035 $US
One of the last works available by this artist
Secure delivery : Monaco
+ $144
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About the artwork
Type
Numbered and limited to 100 copies
1 copy available
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Medium
Dimensions cm • inch
4 x 65 x 40 cm 1.6 x 25.6 x 15.7 inch Height x Width x Depth
Support
Framing
Frame with plexiglass
Artwork dimensions including frame
5 x 67 x 42 cm 2 x 26.4 x 16.5 inch
Tags
Artwork sold in perfect condition, framed, ready to hang
Artwork location: Switzerland
Unique recording of the performance act »Marina Abramovic: 512 Hours« at the Serpentine Gallery London, capturing the artist reading her "An Artist Life Manifesto".
Hand Signed and Numbered by Marina Abramovic on the record cover
Recorded live at 5 pm on 6th June 2014.
Released by The Vinyl Factory on the occasion of the exhibition 512 Hours (VF114).
Edition of 100 signed and numbered albums.
Pressed on white vinyl.
Unique Provenance : This vinyl record comes from a specialized collection focused on album covers designed by world-renowned artists. Our collection also includes pieces that have been exhibited in museums, adding to their historical and artistic value.
Professionally displayed in handmade linen showcase with Plexiglas® Optical HC cover. Record loose in show case.
Discover more by the artist
Presentation
Serbian artist Marina Abramovic has marked the history of art with her intense and moving performances.
Born in 1946 in Belgrade, she studied at the Academy of Fine Arts in Belgrade and Zagreb. She taught at the Fine Arts in Novi Sad from 1973 until 1975. She first practiced painting then became interested in conceptual art and performance. Like Bruce Nauman, Vito Acconci and Chris Burden, she is one of the artists who introduced performance to the world of art. She will practice body art and body art all her life.
Its performance can reach extreme situations. Her body is both medium and subject, and she uses it to push her physical and mental limits. Pain, fatigue, mutilation, all these actions allow him to face death, to free his mind, to purify himself, to elevate himself, to create a catharsis, while his mind cornered by danger approaches a truth. Her performances also aim to bring body and mind closer to nature in an age ruled by technology. His extreme works do not seek physical performance, but emotional and spiritual transformation. She feeds on the energy of the public, she who nevertheless calls herself introverted.
In her series of works "Rhythm 10", composed of 10 works, she inflicts herself in great suffering. For “Rhythm 0", she provides the public with a wide choice of instruments that they can use against her for 6 hours. The public cuts her, strips her, a man even points a pistol at her. For "Rhythm 5", it lies in the center of a burning star and thus denounces the enslavement of the Serbian people by the Soviet powers. The work “Balkan Baroque", which won the artist the Golden Lion at the Venice Biennale in 1997, also deals with this subject. It is a video-performance installation during which she cleans the bones of bloody oxen 6 hours a day for 4 days in memory of the Serbian people.
For her work "Thomas lips" also, she eats a bowl of honey, drinks a glass of wine that she breaks and then mutilates a star on her body. Between ice and fire, she thus brings into play the conservation of her body and her fear of death.
Her art has nevertheless evolved throughout her life, she turns more and more to new mediums: video, photography, installation… Her performances will be longer but quieter. She notices that her representations are more difficult to do when there is less action. His work then focused more on mental performance than on physical limits.
Performing Artists
Contemporary Feminist Artists
Sculptors
Printmakers
Serbian artists
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