Meeting Plaza, 2018
Thelma Appel

Dazzling 25-color silkscreen, "Meeting Plaza", by renowned landscape painter Thelma Appel. The work is hand signed, titled, dated and numbered from the limited edition of 75; unframed with deckled edges. Each print is accompanied by a Certificate of Authenticity - also hand signed by the artist. The work is evocative of New York's Rockefeller Center and the United Nations - and would look beautiful in any home, office, restaurant - or meeting place. This silkscreen was printed by Gary Lichtenstein Editions at Mana Contemporary Art Center in New Jersey: "Gary Lichtenstein is a superb professional and a meticulous craftsman; an artist could not ask for a better collaborator," says Appel. "I've admired the work he did with so many artists ranging from Robert Indiana to Marina Abramovic. It was a real pleasure having the opportunity to work with him as well."
"Meeting Plaza" is based on Appel's eponymous oil painting, first exhibited by the Chashama Foundation on Sixth Avenue in Manhattan - near Rockefeller Center. The artist explained: "When I first conceived the idea for this painting, I had in mind a city setting; perhaps people ice skating in Rockefeller Center in NYC - a famous tourist attraction, and so iconic to my memory of once living in this vibrant city. As I perused through various references and began to block out preliminary shapes of buildings, trees and people, I realized that what I was actually wanting to convey was a city that welcomed all nationalities and all people. I added flags hoisted on poles, which I believe corresponded rhythmically to the late autumn trees, almost barren of leaves. The flags for me are a counterpoint to the city’s geometric architecture, and their suggested movement and irregular shapes echo the organic morphology of the people below. I painted an evening sky. It is dusk. Nobody is rushing. People are conversing with each other, walking slowly or gathering in small groups enjoying a calm evening in the city, in a place that is reminiscent of The United Nations, and Rockefeller Center — an obvious public setting, yet more intimate. This is how I want to remember my time in the city. I am one of the people converging at the 'Meeting Plaza' too..."

Thelma Appel is a renowned landscape and abstract painter who has been working and teaching for more than five decades. She was raised in Darjeeling, India and educated in London, England, at St. Martin's School of Art (now Central St. Martins) and Hornsey College of Art before emigrating to the United States in the 1960s. Now in her 80s, her work is being re-discovered by a new generation of collectors and curators. Most recently, she was awarded "Most Expressive" by the Mattatuck Museum for her work in the invitational exhibition "The Art of Experience". Another painting of Appel's, "Exodus by Moonlight" (about refugees) was included in an exhibition at the Brattleboro Museum in Vermont. Her work has been exhibited in numerous venues, including the Bennington Museum, the Berkshire Museum in North Adams, Mass., the Children's Museum of the Arts in New York City, the Mattatuck Museum, the Brattleboro Museum, the Milwaukee Art Museum, the Robert Hull Fleming Museum at the University of Vermont, the University of Pennsylvania Fine Arts Gallery - and seen on the A & E Television Series "The Way Home." In the 1980s, she was represented by the renowned Jill Kornblee Gallery on West 57th Street, and later Fischbach Gallery - (at the time the gallery of record for Alex Katz and other representational artist), and Appel's works were acquired by many private and public collections. She is also a longtime art teacher, having taught drawing at Parsons School of Design, painting at Southern Vermont College and at the University of Connecticut. In 1974, she was awarded a Yaddo Fellowship, and in 1975, Thelma Appel, along with the painter Carol Haerer, co-founded the Bennington College Summer Painting Workshop, where many distinguished painters of the day, both abstract and representational, conducted master classes. Among them were Neil Welliver, John Button, Alice Neel, Larry Poons, Friedel Dzubas, Stanley Boxer, Elizabeth Murray and Doug Ohlson – a program that continued until 1980.

Appel became known primarily for her paint-soaked brush strokes on large canvases that sought to recreate the energy, color and immediacy of the landscapes. In a recent documentary interview, the artist explained why she considers herself a Romantic landscape painter: "Not recording mimetically what lay before me, but trying to express the excitement I felt in response to nature by using paint-soaked brush strokes on a large canvas wherein the over-lapping layered strokes of color were metaphors for the contiguities found in nature. My early paintings sought to recreate the energy, color and immediacy of the landscapes... to convey a more raw "painterly" feeling within the image, rather than recording a particular scene or looking on from a distance. "