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Detrás del azul,
2024
Juan Ibarra
Painting : mixed media
144 x 140 cm 56.7 x 55.1 inch
€2,486
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Medium
Dimensions cm • inch
144 x 140 cm 56.7 x 55.1 inch Height x Width x Depth
Framing
Not framed
Artwork sold in perfect condition
Artwork location: Mexico
“Behind the Blue” – Juan Ibarra
In , Juan Ibarra delivers a powerful abstract composition that speaks through materiality, gesture, and chromatic tension. Deeply influenced by the narrative and symbolic weight of Mexican muralism—particularly the legacy of Diego Rivera—Ibarra approaches the canvas as a space of expression that is both poetic and political. Here, he merges abstraction with figuration, texture with symbolism, to evoke a scene that feels both ancestral and contemporary.
Three white figures emerge from the composition, undefined and ghostlike, their forms built not through outline or contour, but through dense, tactile surfaces. Their presence is felt rather than described—etched into the canvas through layers of rough, almost sculptural texture. These figures inhabit a visual field dominated by a rich, immersive blue that recedes into the background like a veil of memory or emotion. This blue is not passive; it envelops and anchors the scene, evoking depth, introspection, and a collective unconscious.
Contrasting sharply with this field of blue, a bold eruption of red cuts across half the canvas. This chromatic clash introduces a visceral tension—red against blue, heat against cool, urgency against calm. It is here, in this intersection of opposing forces, that the emotional charge of the piece becomes palpable. The red does not overpower the figures, but rather confronts them, becoming a force they stand before, emerge from, or perhaps resist.
The ambiguity of the figures—their whiteness, their lack of definition—suggests an exploration of identity in flux. They could be bodies, spirits, ancestors, or memories. Their very lack of clarity becomes a statement, pointing to histories and presences that are often blurred or erased, but never absent. Ibarra’s masterful use of mixed media intensifies this reading, layering meaning into every inch of the surface.
is a contemporary mural in spirit—one that does not rely on traditional figuration, yet still communicates a strong, collective message. It is a meditation on human presence, emotion, and resilience, rendered in matter and color. With this work, Ibarra continues his exploration of the human condition through abstraction, creating a visual language that honors the muralist legacy while forging his own expressive path.
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Presentation
The burning sensation conveyed by Juan Ibarra's proposal is comparable to the feeling of seeing cuts and openings in flesh. It is no coincidence that the painter inherits techniques such as frottage and grattage, which give his canvases an aged appearance. In fact, his work is adjacent to the European tradition that encompasses informalism and abstract expressionism. In this way, the artist aims to highlight the worn-out character of painting, as well as the range of textures and reliefs that literally detach from the canvas.
Somehow, his pieces speak of the pictorial disintegration that not only exhausts itself but also gives rise to an exposed process of material healing. Therefore, his creations represent matter in a raw state of cauterization and transformation. This aesthetic of decay is crucial to him as it exacerbates the fragmented nature of the materials he uses to paint. This is because he deliberately resolves his compositions and, to a certain extent, anticipates the ravages of time in the realm of plastic arts.
Hence, his art decomposes color, forms, and spaces, along with their multiple interrelations. It is worth mentioning that the artist works in layers, much like sediments of rock formations, to then intercalate and blend the background with the surface and vice versa on a single plane. Furthermore, his works frequently feature geometric and expressionistic linear structures that enhance the visual effect of corrosion while carrying an immeasurable dramatic charge.
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