La ronde du vent 162 - 2
Nadya Bertaux
Sculpture - 162 x 162 x 5 cm Sculpture - 63.8 x 63.8 x 2 inch
€5,200
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Les nuages du vent 9,
2010
Nadya Bertaux
Sculpture : aluminium
43 x 53 x 4 cm 16.9 x 20.9 x 1.6 inch
€980
One of the last works available by this artist
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Medium
Dimensions cm • inch
43 x 53 x 4 cm 16.9 x 20.9 x 1.6 inch Height x Width x Depth
Display
The sculpture cannot be displayed outdoors
Tags
About the seller
La Galerie du Génie de la Bastille • France
Artsper seller since 2017
Vetted Seller
This seller rewards your purchases of multiple artworks
Discover more by the artist
Les nauges du vent 11
Nadya Bertaux
Sculpture - 43 x 53 x 4 cm Sculpture - 16.9 x 20.9 x 1.6 inch
€980
La ronde du vent 162 - 3
Nadya Bertaux
Sculpture - 162 x 162 x 5 cm Sculpture - 63.8 x 63.8 x 2 inch
Sold
Presentation
My work tries to signify the Course of Wind, his distance covered, his crossing, travel ; a poetic metaphor to talk about the Cycle of Life and the Inner Breath. Time, intimately related to the Wind, is expressed by the repetition of forms, which emphasize the importance of Memory, Experience and Transmission. The Repetition of the forms marks a rhythm and defines sequences, the sequences of Life. The fragility of Existence is described by hanging my sculptures, between the Earth and the Sky, like clung to the string of Life. The movement is implicit and forces the eye to go "back and forth" and therefore to constant questioning.
My installations often have the fragility of bodies in suspension and seem to belong to the transient. I try to disturb the perception, to give the feeling of a world in transformation. The conception of my work is part of the force of the passage, of what must be captured with intensity.
Our continuous flow of consciousness is a perpetual alternation between two antinomic states: attention to the outside world and inner reverie. To implement this sway and represent our brief passage on the scale of the universe, the wind accompanies me. It symbolizes movement, passage; it is a poetic metaphor for talking about the cycle of life and the inner breath. The fluidity of this element is for me an ideal representation of the world.
My material is structured with threads winding a metal core itself made of many threads. From the start of the process, it induces a multiplication of networks and undermines an allegory of the link. The strange singularity of the aluminum fibrils creates plays of shadow and light which mingle, and merge. In this reciprocity, the paradoxical facets of our behavior are revealed.
The interlacing of threads produce voids and solids borrowed from the lace register, when the rings become more structured, they resemble the lexicon of stained glass. These mesh networks induce the penetration of the gaze, and this overstepping of the structural limit prolongs the experience of passage.
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