Qui a tué Madame Cheval ?,
2024
Vivien Raynal
Photography : digital
40 x 40 x 1 cm 15.7 x 15.7 x 0.4 inch
$291
291 $US
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+ $44
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About the artwork
Type
Numbered and limited to 20 copies
20 copies available
Signature
Signed artwork
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Medium
Dimensions cm • inch
40 x 40 x 1 cm 15.7 x 15.7 x 0.4 inch Height x Width x Depth
Framing
Not framed
Artwork sold in perfect condition
Artwork location: France
This work is part of the “California Collage" series.
This is a digital composition: cutting up multiple photos, textures, and graphic elements from multiple sources, assembled in an original way.
The artist also obtained the bronze medal at the 2022 French Professional Photography Medals of the FFPMI in the Digital Art category.
This intriguing work immerses the viewer in a surreal and captivating scene. In the foreground, a glass door frames an unexpected vision: a horse stands inside, calmly observing its surroundings. To the left, a woman's leg, stretched out on a luxurious red carpet, evokes an unfathomable mystery. The staircase to the left suggests a possible journey into the unknown. Warm, golden light illuminates the interior, contrasting with the cool blue wall near the horse, accentuating the enigmatic atmosphere. The artist skillfully plays with realism and surrealism, provoking questions and intrigue in the viewer.
Discover more by the artist
Presentation
Vivien Raynal is a complete artist. Born into a family of artists, he grew up in the south of France. While music won his heart in his early years, it is drawing and cinema that have always been his passions. A musician, author, and composer, he travels the world and is captivated by images, moods, atmospheres, and artificial or gloomy lighting. He is fascinated by others, with their flaws, projecting his own vulnerabilities onto them.
Meditation and the exploration of altered states of consciousness instilled in Vivien Raynal an obsession with time, the present, and liminal spaces. The vertigo provoked by infinity is a fascinating vibration, like the immensity of the void. He then became aware that the image creates a new temporality because it emancipates itself from time, and that he would henceforth be able to fully express himself through this prism.
Vivien Raynal's work is neither confined to a single technique nor to a single discourse. It opens the doors to an imagination that is both intimate and universal. Solitude serves as inspiration, leading to offbeat universes imbued with marginality and tinged with madness.
Inspired by the unsettling atmospheres of the world's great cities, he is fascinated by dilapidated urban areas, isolated roadsides and kitschy, disturbing interiors… these places, built by men and then abandoned, are merely a reflection of the fragility of a system.
The striking aesthetic of his works emerges from the use of deliberately vibrant colors, as well as the starkness and purity of the image. These techniques create a contrast with the singularity of his subject matter: his compositions celebrate ugliness and madness, the filth and sordidness of humanity.
Perfection does not exist in man. Behind each of us lies a shameful part of ourselves that we conceal, yet which nevertheless seeps through each of us. It is man's fragility, his flaws, his perversions, his deviations, that make him human.
In a redemptive approach, he rehabilitates humanity, restoring its nobility: we are all fragile.
Text by Laetitia Deloustal, PhD in History and Art History, October 2023
Photographers
French artists
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