Finger Pointing, 2024
Roy Lichtenstein

Design : digital print

80 x 20 x 2 cm 31.5 x 7.9 x 0.8 inch

$355 355 $US
Secure delivery : Paraguay   + $138
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About the artwork

Type

Open edition

Signature

Founder's stamp

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Dimensions cm inch

80 x 20 x 2 cm 31.5 x 7.9 x 0.8 inch Height x Width x Depth

Framing

Not framed


Artwork sold in perfect condition

Artwork location: Spain

Date of creation: 2024

Medium: Digital print on Canadian maple wood

Edition: Open

Size: 80 x 20 cm

Condition: In mint conditions and never displayed

Skate deck made of 7 ply grade A Canadian maple wood.

(1965) is a work that takes Lichtenstein's signature technique, with its Ben-Day dots and comic style, to a deeper level of reflection on power and authority. In this painting, the finger pointing does not simply point at a distant object or figure, but directly at the viewer, creating an immediate confrontational relationship. This aggressive and accusatory gesture is not a mere “pointing"; the finger becomes a direct accusation, a challenge that involves the audience in the act of being singled out.

The finger pointing at the viewer can be interpreted as a critique of social control and the power dynamics at play. In a society that constantly categorizes, judges, and points out what is right or wrong, Lichtenstein transforms this gesture into a symbol of accusation that is hard to ignore. The viewer cannot escape the finger's gaze, which evokes the feeling of being watched, judged, or even blamed. This confrontation creates tension in the work, inviting the viewer to reflect on their own position in society and their relationship with power systems.

Through the simplicity of the comic, Lichtenstein addresses broader social issues, especially in the context of the 1960s, a period marked by civil rights movements and growing political awareness in the United States. The pointing finger symbolizes not only authority or institutional power but also the moral and social judgment placed on those who are seen as "others" or outside the established norms. The fact that the finger points at the viewer can also be seen as a reference to media manipulation, where the media and figures of authority "point out" what should be seen and understood, creating an imposed reality.

Lichtenstein uses the comic, a medium so widely consumed and accessible, to question how images and symbols of power have become integrated into popular culture. Through this approach, becomes not only a work that plays with the aesthetics of the comic but also a critical reflection on how modern society creates and maintains hierarchies of power. The work, with its mix of irony and seriousness, forces the viewer to confront the omnipresence of controlling gestures and social structures that often go unnoticed but continue to have a profound influence on our daily lives.

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About the seller

Artetrama • Spain

Artsper seller since 2017

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United States  • 1923  - 1997

Presentation

Roy Fox Lichtenstein was an iconic American pop artist who played a central role in defining the visual language of American culture in the 20th century. Born in 1923 in Manhattan, New York, Lichtenstein's influence remains widespread even after his death in 1997. His innovative approach combined mass media aesthetics, particularly from comic books, advertisements, and popular culture, with fine art principles, making his work an essential contribution to both art history and modern visual culture. Lichtenstein initially explored cubism and abstract expressionism during his early years, but it was in the 1960s that he defined his distinctive artistic style. He utilized bold outlines, bright primary colors, and the iconic Ben-Day dots technique to emulate the commercial print style of mass media. His breakthrough piece, Look Mickey (1961), featured Disney characters Donald Duck and Mickey Mouse in a comic-book-inspired format, blending the playful world of cartoons with fine art. Through these creative choices, Lichtenstein elevated everyday imagery, bringing the culture of consumerism and entertainment into the realm of serious art.

In recent years, Lichtenstein's legacy has only grown stronger, with his works continuing to be featured in major exhibitions around the world. His impact on contemporary art remains undeniable, as retrospectives and museum shows celebrate his revolutionary contributions to pop art. Notably, in 2023, the Guggenheim Museum in New York presented a comprehensive retrospective, showcasing both his iconic works and lesser-known pieces, reaffirming his role in shaping modern visual culture. Lichtenstein's works have consistently performed well at auctions, securing high prices and cementing his place as one of the most influential American artists of the 20th century. As the art world embraces his influence, Lichtenstein's style continues to inspire contemporary artists working across various media, from digital art to graphic design, solidifying his position as a pioneer in blending popular culture with fine art.

Lichtenstein's work didn't just focus on the superficiality of pop culture; it often contained subtle critiques of society, particularly its values and gender dynamics. His art frequently featured women in distress, their exaggerated emotions and melodramatic scenarios serving as a form of satire on the idealized representations of femininity in mass media. In works like Drowning Girl (1963) and Crying Girl (1963), Lichtenstein captured the comic-book-esque pathos of his female subjects, using laconic speech bubbles filled with ironic messages like "I don't care! I'd rather drown than call Brad for help!" His meticulous use of Ben-Day dots, a printing technique used in commercial graphic design, contributed to the flat, bold aesthetic of his paintings. Lichtenstein's ability to fuse the visual techniques of comic strips with the intellectual framework of fine art established him as one of the key figures in the Pop Art movement, alongside contemporaries like Andy Warhol.

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Movement Abstract Expressionism

Movement Pop Art

American Icons

Post-War Art

Sculptors

Printmakers

Designers

American artists

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