Vase aux fleurs, Circa 1908
Maurice de Vlaminck

Design : ceramic, vase

18 x 18 x 10 cm 7.1 x 7.1 x 3.9 inch

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About the artwork

Type

Unique work

Signature

Signed artwork

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Dimensions cm inch

18 x 18 x 10 cm 7.1 x 7.1 x 3.9 inch Height x Width x Depth

Framing

Not framed


Tags

Floral

Fauvism

White

Green

Artwork sold in perfect condition

Artwork location: France

This ceramic vase stands out for its unique aesthetic and artistic mastery. Designed with a perfect harmony of colors, it features a cream-white background that serves as an ideal canvas for a bold floral motif. Large black flowers with well-defined petals create a striking contrast that immediately catches the eye. They are skillfully balanced by dark green leaves, adding depth and a natural element to the design. The floral motifs are interspersed with small yellow accents, representing buds or pollen details, bringing an extra touch of freshness and vitality to the piece. This interplay of colors and shapes evokes a sense of movement and life, transforming the vase into a true testament to the beauty of nature. The vase's shape, slightly rounded, is classic and timeless, allowing it to blend seamlessly into various decorative contexts. This ceramic masterpiece combines simplicity with sophistication, capturing the essence of traditional craftsmanship while adding a modern touch to its aesthetic. It is a piece that not only adorns a space but also tells a story through its elegant and thoughtful design.

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About the seller

Galerie de Buci • France

Artsper seller since 2016

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France  • 1876  - 1958

Presentation

Maurice de Vlaminck (1876–1958) was a French painter and key figure in the Fauvism movement. Known for his bold use of vibrant, non-naturalistic colors and expressive brushstrokes, Vlaminck's early work focused on dynamic landscapes and village scenes. His technique was marked by intense contrasts of color, aiming to convey emotional impact rather than realism.

By the 1910s, Vlaminck shifted towards a darker, more structured style, influenced by Post-Impressionism and Cézanne. Though he moved away from Fauvism later in his career, his early contributions helped define the movement's expressive power in modern art.

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