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Août,
2023
Béatrice Baulard
Design : Textiles, wool, carpet
69 x 69 x 2 cm 27.2 x 27.2 x 0.8 inch
€2,000
One of the last works available by this artist
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About the artwork
Type
Unique work
Signature
Not Signed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Dimensions cm • inch
69 x 69 x 2 cm 27.2 x 27.2 x 0.8 inch Height x Width x Depth
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: France
This circular masterpiece evokes the flowing ripples of the ocean through the masterful use of blue and white hues. The textured waves are interspersed with shades of green and black, adding depth and dynamism. The contrasting colors and moving patterns suggest a living aquatic scene. The details pay careful attention to the transition between tones, creating a captivating visual harmony. The tactile dimension of this work, similar to a mosaic or an ornately carved textile, invites sensory exploration. The choice of colors and textures gives this piece an almost hypnotic quality, with each curve and line blending together while maintaining a distinct identity. This work is distinguished by its boldness and ability to evoke a timeless natural landscape.
Comes with two hooks for hanging. Lined at the back.
Tapestry/carpet/tufting
About the seller
Galerie Séraphine • France
Artsper seller since 2021
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Presentation
Béatrice Baulard is a textile plasticist whose favourite medium is yarn. For the past ten years, she has used ancestral techniques around yarn and created volumes woven, knitted, crocheted and, more recently, tufted.
His family gave him the example of what we can make with little: gardeners, mechanics, seamstresses, knitters, embroiderers, cooks, even painters, handymen, welders, winemakers, blacksmiths... She is humbled by this and tries to answer several questions:
– The distribution of domestic tasks in traditional families. In some of her pieces, she inserts and sets a found element: pebble, polished glass, even plastic, provided it looks like a mineral. The contrast of texture with yarns, wool, soft materials par excellence, symbolizes this sharing: for women soft materials, cooking, sewing, knitting, men hard materials, steel, wood, earth.
– The place of beauty in contemporary art. For the past twenty years, discourse has taken on enormous importance, almost more than the creation of the work. While, in her path, she focuses on aesthetics, gesture and the selection of modest materials, with the desire to blur the boundary between plastic arts and art crafts. It aims to evoke wonder, to free oneself from labels, to integrate beauty into the environment.
– The visibility of women artists and even more of women «elderly» artists. She calmly approaches her sixties and readily says that life begins at 50 and has been working for ten years to prove it. Having as luggage only an intense curiosity and a long initiation of the look. She allows herself to use skills that were considered basic in the last centuries, to extract them from an outdated image and to form diffuse sensations, emotions, and reinterpret visual memories.
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His family gave him the example of what we can make with little: gardeners, mechanics, seamstresses, knitters, embroiderers, cooks, even painters, handymen, welders, winemakers, blacksmiths... She is humbled by this and tries to answer several questions:
– The distribution of domestic tasks in traditional families. In some of her pieces, she inserts and sets a found element: pebble, polished glass, even plastic, provided it looks like a mineral. The contrast of texture with yarns, wool, soft materials par excellence, symbolizes this sharing: for women soft materials, cooking, sewing, knitting, men hard materials, steel, wood, earth.
– The place of beauty in contemporary art. For the past twenty years, discourse has taken on enormous importance, almost more than the creation of the work. While, in her path, she focuses on aesthetics, gesture and the selection of modest materials, with the desire to blur the boundary between plastic arts and art crafts. It aims to evoke wonder, to free oneself from labels, to integrate beauty into the environment.
– The visibility of women artists and even more of women «elderly» artists. She calmly approaches her sixties and readily says that life begins at 50 and has been working for ten years to prove it. Having as luggage only an intense curiosity and a long initiation of the look. She allows herself to use skills that were considered basic in the last centuries, to extract them from an outdated image and to form diffuse sensations, emotions, and reinterpret visual memories.
His work is divided between meticulous, tiny works and large formats tufted. Still, it manufactures with a will to exploit remnants, small quantities, dormant stocks of old factories, ensuring its impact on nature and society. To do with what is there, to divert, to value, to make proposals with little, to work with an economy of means.
She uses the phrase of David Bowie, "To grow old is to become the person you always wanted to be."
This slow exploratory work exposes emotions, epidermal reactions to situations and encourages him to change his way of thinking. From an unnoticeable person, she draws today in the light, with the goal of becoming a happy woman, loving and loved, creative and creative.
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