Fountain vase, série Zephyr, 2024
Polina Shutova

Design : ceramic, Porcelain

33 x 24 x 12.5 cm 13 x 9.4 x 4.9 inch

€700

One of the last works available by this artist

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About the artwork

Type

Unique work

Signature

Hand-signed by artist

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery


Dimensions cm inch

33 x 24 x 12.5 cm 13 x 9.4 x 4.9 inch Height x Width x Depth

Framing

Not framed


Artwork sold in perfect condition

Artwork location: France

In these works, I wanted to reflect on sensuality, on the intersection of the concepts of “tasty" and “beautiful." In the Rococo aesthetic, which appeals to sensuality and pleasure in costume, architecture, and design, many visually associate these elements with desserts and excessive hedonism. Here, I wanted to achieve the same effect: to create desirable objects, promising the joy of possession.

Two points are particularly close to my heart: the link between sensuality, sexuality and food hedonism, as well as the demonization of confectionery in the world of beauty standards.

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About the seller

Galerie de l'Est • France

Artsper seller since 2017

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Russian Federation  • 1994

Presentation

Polina Shutova is a multidisciplinary artist born in 1994 in Moscow, graduated from the Stroganov State Academy of Arts and Industry. She works mainly in the fields of graphics, sculpture and ceramics, exploring concepts that blend tradition and artistic innovation.

In her works, Polina questions the idea of conventional beauty, what is perceived as ornamental or decorative. She analyzes the compositional laws that define these forms and explores their similarities across eras and aesthetic fields. By transforming and questioning these rules, she seeks to give them new meaning.

His work aims to identify the moment of transition between opposites: between the conventional and the individual, the ideal and the authentic, or the structured and the spontaneous. This artistic journey reveals works that are both refined and alive, opening a reflection on the limits between tradition and innovation in contemporary art.

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