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Untitled (Original),
Circa 1950
Rolph Scarlett
Fine Art Drawings : Watercolour
10.16 x 10.8 x 2.54 cm 4 x 4.3 x 1 inch
$2,998
$2,849
One of the last works available by this artist
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Medium
Dimensions cm • inch
10.16 x 10.8 x 2.54 cm 4 x 4.3 x 1 inch Height x Width x Depth
Framing
Brown frame
Artwork dimensions including frame
20.32 x 21.59 x 3 cm 8 x 8.5 x 1.2 inch
Artwork sold in perfect condition
Artwork location: United States
Notes: Hand Dated. Very Good Condition. Gallery COA Included. Custom Framed. The frame does contain some dings and scratches.
About the seller
End To End Gallery • United States
Artsper seller since 2020
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Presentation
Born on June 13, 1889 in Guelph, Canada, and into an artistic family, Rolph Scarlett spent his teenage years as an apprentice in his uncle's jewelry firm and briefly studied at the Art Students League, New York. While working in the jewelry industry, Scarlett found time to paint and design theatrical sets in his free time, including one for the 1928 world premiere of Eugene O'Neill's drama Lazarus Laughed (1926). In 1923, while on a business trip to Switzerland, Scarlett had met the artist Paul Klee and soon after abandoned his figurative painting style in favor of an abstract language that suggested more universal, cosmic truths.
In 1937, after permanently settling in New York, Scarlett became acquainted with the artist and curator Hilla Rebay, the first director of the Museum of Non-Objective Painting (renamed the Solomon R. Guggenheim Museum in 1952). Rebay provided Scarlett with a Guggenheim Foundation scholarship to paint full-time and obtained several of his paintings for the museum's collection. From 1940 to 1946, Scarlett served as the museum's chief lecturer, giving Sunday afternoon talks on art. Through Rebay, Scarlett became acquainted with the nonobjective works of Rudolf Bauer and Vasily Kandinsky and further refined his abstract style. Works from this era such as Yellow Bar (1942) are defined by overlapping geometric planes of bright, primary colors set against mute backgrounds. Scarlett avoided any reference to the outside world and believed that nonobjective painting was an act, in his words, of “pure creation."
During his lifetime, solo shows of his work were held at the Jacques Seligmann Gallery, New York (1949); Sioux City Art Center, Iowa (1951); and Washburn Gallery, New York (1982). In addition to appearing in several important group shows at the Museum of Non-Objective Painting and the Guggenheim Museum, Scarlett's work was also presented at the Metropolitan Museum of Art, New York (1950); Whitney Museum of American Art (1951); and Museum of Art, Carnegie Institute, Pittsburgh (now Carnegie Museum of Art, 1983). In his later years, Scarlett moved to upstate New York and continued to paint and design jewelry. Scarlett died on August 7, 1984, near Woodstock, New York.
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