Migration II Jour 39
Patrice Palacio
Painting - 70 x 50 x 5 cm Painting - 27.6 x 19.7 x 2 inch
$2,832
Migration II Jour 11,
2019
Patrice Palacio
Painting : oil
70 x 50 x 2 cm 27.6 x 19.7 x 0.8 inch
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Dimensions cm • inch
70 x 50 x 2 cm 27.6 x 19.7 x 0.8 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: France
Every day, the artist has placed himself in the same place, adopted the same point of view to paint the Mediterranean, sometimes oil, sometimes unleashed. In black and white, it gives us all the luminosity of the south of France and the suave character of the oil, the only medium used by the artist, further accentuates the reflections.
The navy is a very classic subject in the history of art. Here, the painter completely updates this theme by giving it a cultural and political dimension through the chosen title. A vibrant picture of topicality through the prism of the universality of the model.
Read more
The navy is a very classic subject in the history of art. Here, the painter completely updates this theme by giving it a cultural and political dimension through the chosen title. A vibrant picture of topicality through the prism of the universality of the model.
About the seller
Le Réservoir. • France
Artsper seller since 2020
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This seller rewards your purchases of multiple artworks
Imagine it at home
Discover more by the artist
Migration - Jour 13
Patrice Palacio
Painting - 70 x 50 x 2 cm Painting - 27.6 x 19.7 x 0.8 inch
$2,832
Point Plan Trait n°25/26
Patrice Palacio
Painting - 120 x 250 x 2 cm Painting - 47.2 x 98.4 x 0.8 inch
$10,981
Migration 4, Jour 1
Patrice Palacio
Painting - 70 x 50 x 5 cm Painting - 27.6 x 19.7 x 2 inch
$3,699
Presentation
Patrice Palacio is a French painter and designer born in 1977.
His work has been developing for 20 years in the form of series essentially articulated around two constants:
- The exclusive use of black and white.
- The deconstruction of pictorial perception.
Patrice Palacio develops his research in the form of series.
The subject is with him a pretext to probe the fundamental issues of Painting.
“What do we see when we look? "," Where is the gaze located? "," How to write what is not? "
Plastically, his practice focuses on luminance, the delayed, the painting object, the void.
Faced with his paintings, the viewer quickly finds himself in a figuration / abstraction duality, useless to apprehend the work, and therefore questions the relationship to the Real and to its representation.
The artist uses a precise coding-decoding protocol that he assimilates to writing.
The recomposed signs take on meaning and become an image.
Patrice Palacio speaks of a “permanent round trip from the detail to the whole, the only condition for finding the place of the gaze that teaches about one's own perception of the world".
Finally, his position as an artist in his time wants to be shifted since he declares: "It is not so much my art that is contemporary as its spectators."
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