
Mac II,
2020
Gonzalo Fuenmayor
Painting : charcoal
27.9 x 45.7 x 0.3 cm 11 x 18 x 0.1 inch
One of the last works available by this artist
Second NOT DISPLAYED BLUR TEXT
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Dimensions cm • inch
27.9 x 45.7 x 0.3 cm 11 x 18 x 0.1 inch Height x Width x Depth
Support
Framing
Black wood frame
Artwork dimensions including frame
40.6 x 58.4 x 3.8 cm 16 x 23 x 1.5 inch
Tags
Artwork sold in perfect condition
Artwork location: United States
This striking artwork titled "Macondo" engages the viewer with its dynamic interplay of bold, sweeping brushstrokes in monochrome. The piece captures an energetic essence through abstract forms and textures, creating a sense of movement and rhythm. At the center, the word "Macondo" emerges prominently, adding a focal point that evokes literary and cultural resonances, potentially referencing Gabriel García Márquez’s fictional town. The surrounding chaotic elements, marked by swirling black strokes and dots, suggest a narrative of creation or upheaval. The stark contrast between light and dark areas heightens the dramatic tension, inviting contemplation on themes of chaos and storytelling. This artwork stands out for its emotional intensity and its blend of abstraction and textual elements, making it a compelling visual experience.
About the seller
The Art Design Project - Art Gallery • United States
Artsper seller since 2019
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Presentation
Gonzalo Fuenmayor's work reflects a double cultural influence that has inexorably marked his artistic practice: Hispanic and North American. His childhood and youth were spent in one of the cities that best embodies the essence of the Caribbean city (Barranquilla) and his professional activity has been developed in the United States, where he currently lives and works. His artistic research questions the Caribbean identity as a brand and the stereotypes that this concept has generated through images that have become local symbols such as the toucan, the pineapple, the palm tree, and, especially, the banana. The latter has symbolized like no other fruit the paradox of abundance and poverty, being at the same time food for the population and the cause of the exploitation of the peasantry in the plantations in what has been called the "banana drama".
The artist seeks to combine in his works a narrative line where the decorative and the tragic come together in a discourse that borrows resources from literature, cinema, and advertising. His discourse is thus formed from irony and parody; the artist fuses seemingly unrelated objects and creates images that he himself defines as "visual grafts" where the contrast between form and its signifier takes on a new reading that provokes the viewer's reflection.
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