Red C,
2022
Elizabeth Gourlay
Painting : acrylic, Textiles
40.6 x 50.8 cm 16 x 20 inch
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Dimensions cm • inch
40.6 x 50.8 cm 16 x 20 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: United States
Acrylic on linen mounted on shaped panel.
Elizabeth Gourlay is an American abstract artist whose work emerges from a progressive process of layering colour, lines and forms, informed both by inner emotional states and her observation of nature and architecture. She lives and works in Chester (CT).
Gourlay’s work is featured in various private and corporate collections including The Lewitt Collection, The Marriott Family and Yale University. She is the recipient of several grants and fellowships, including two Individual Artist State Grants from the DECD/Connecticut Office of the Arts. In 2011 she was an invited artist in residence at the studio of Sol LeWitt, Spoleto, Italy.
Elizabeth Gourlay uses a wide range of media such as oil, flashe, acrylic, ink and graphite to create artfully simple and strong compositions.
Gourlay thinks of her work as a meditation on colour and form, a gradual yet progressive study leading to a complex vocabulary of shapes, colour and line. "The shapes and lines create my own vocabulary of abstract forms."
Musical composition, emotional states and our collective subconscious resonate within bars, lines and blocks of colour. The abstract forms emerge, layer and shift in precisely ordered, carefully composed rhythms. The artist contemplates the elements that make colour in reduced forms come to life: size, flatness, relation to its edges, and how the presence of other colors affect how it is perceived.
Gourlay draws inspiration from shapes found in everyday life and in her studio. The observed shapes either remain as they are or become simplified to their essential geometric elements. Subtleties in colour, area, edge or orientation are the catalyst for emotive responses. A broad range of colours are explored and then reduced an essential and sometimes interactive palette. Gourlay investigates colour properties: complementary or analogous, value, saturation and colour harmony vs. colour anomaly.
Gourlay cites past masters from Anni Albers, to Agnes Martin to Ellsworth Kelly as important influences. Her work is similarly focused on reducing artistic elements to their essential forms. The results are strong and distinctly emotive pieces that breathe and vibrate and remain open for the viewer to discover feeling and interpret meaning.
Read more
Elizabeth Gourlay is an American abstract artist whose work emerges from a progressive process of layering colour, lines and forms, informed both by inner emotional states and her observation of nature and architecture. She lives and works in Chester (CT).
Gourlay’s work is featured in various private and corporate collections including The Lewitt Collection, The Marriott Family and Yale University. She is the recipient of several grants and fellowships, including two Individual Artist State Grants from the DECD/Connecticut Office of the Arts. In 2011 she was an invited artist in residence at the studio of Sol LeWitt, Spoleto, Italy.
Elizabeth Gourlay uses a wide range of media such as oil, flashe, acrylic, ink and graphite to create artfully simple and strong compositions.
Gourlay thinks of her work as a meditation on colour and form, a gradual yet progressive study leading to a complex vocabulary of shapes, colour and line. "The shapes and lines create my own vocabulary of abstract forms."
Musical composition, emotional states and our collective subconscious resonate within bars, lines and blocks of colour. The abstract forms emerge, layer and shift in precisely ordered, carefully composed rhythms. The artist contemplates the elements that make colour in reduced forms come to life: size, flatness, relation to its edges, and how the presence of other colors affect how it is perceived.
Gourlay draws inspiration from shapes found in everyday life and in her studio. The observed shapes either remain as they are or become simplified to their essential geometric elements. Subtleties in colour, area, edge or orientation are the catalyst for emotive responses. A broad range of colours are explored and then reduced an essential and sometimes interactive palette. Gourlay investigates colour properties: complementary or analogous, value, saturation and colour harmony vs. colour anomaly.
Gourlay cites past masters from Anni Albers, to Agnes Martin to Ellsworth Kelly as important influences. Her work is similarly focused on reducing artistic elements to their essential forms. The results are strong and distinctly emotive pieces that breathe and vibrate and remain open for the viewer to discover feeling and interpret meaning.
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IdeelArt • United Kingdom
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Presentation
Elizabeth Gourlay is an American abstract artist whose work emerges from a progressive process of layering colour, lines and forms, informed both by inner emotional states and her observation of nature and architecture. She lives and works in Chester (CT).
Elizabeth Gourlay studied Drawing and Painting at the Edinburgh College of Art in Scotland where she graduated in 1983, she then went to Yale University School of Art (CT) where she earned an MFA in Painting.
Elizabeth Gourlay uses a wide range of mediums such as oil, flashe, acrylic, ink and graphite to create artfully simple and strong compositions. Her work usually begins with layering washes of colours, then followed by drawings elements. The colours are sharply and fully selected, using a wide range of colour palettes from almost monochromatic to greatly polychromatic.
Her paintings are metaphorical: some of her pieces allude to science by illustrating experiments with coordinate planes and bar graphs. Some refer to music with shapes defining sound and colour defining volume. Furthermore, some paintings suggest history and culture with covering layers of apparent worn or shredded paper.
The use of line suggests influences from Agnes Martin while her play of colour reminds Paul Klee’s work. Elizabeth Gourlay's compositions deal with order and chaos using line, colour and shape.
Read more
Elizabeth Gourlay studied Drawing and Painting at the Edinburgh College of Art in Scotland where she graduated in 1983, she then went to Yale University School of Art (CT) where she earned an MFA in Painting.
Elizabeth Gourlay uses a wide range of mediums such as oil, flashe, acrylic, ink and graphite to create artfully simple and strong compositions. Her work usually begins with layering washes of colours, then followed by drawings elements. The colours are sharply and fully selected, using a wide range of colour palettes from almost monochromatic to greatly polychromatic.
Her paintings are metaphorical: some of her pieces allude to science by illustrating experiments with coordinate planes and bar graphs. Some refer to music with shapes defining sound and colour defining volume. Furthermore, some paintings suggest history and culture with covering layers of apparent worn or shredded paper.
The use of line suggests influences from Agnes Martin while her play of colour reminds Paul Klee’s work. Elizabeth Gourlay's compositions deal with order and chaos using line, colour and shape.
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