Gestalt, la représentation comme theatre
Remi Delaplace
Painting - 80 x 60 x 3 cm Painting - 31.5 x 23.6 x 1.2 inch
$2,878
Touching, Touched, Remix,
2022
Remi Delaplace
Painting : acrylic
97 x 130 x 4 cm 38.2 x 51.2 x 1.6 inch
$4,034
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Dimensions cm • inch
97 x 130 x 4 cm 38.2 x 51.2 x 1.6 inch Height x Width x Depth
Support
Framing
Not framed
Artwork sold in perfect condition
Artwork location: France
Remi Delaplace has been reflecting on the perception of space for several years.
The Dance and Painting relationships have a common origin in the theatre. The representation, the scene, the perspective, the frame...
In this painting, Rémi DELAPLACE started from the idea, in contact improvisation dance, of touching and being touched: we are as much touched by the ground as we touch the ground.
Rémi DELAPLACE is interested in the creative process. This pictorial research is currently linked to phenomenology: the study of what appears...traces, mirrors are its signs.
"My practice of painting is intimately linked to the practice of dance improvisation"
Read more
The Dance and Painting relationships have a common origin in the theatre. The representation, the scene, the perspective, the frame...
In this painting, Rémi DELAPLACE started from the idea, in contact improvisation dance, of touching and being touched: we are as much touched by the ground as we touch the ground.
Rémi DELAPLACE is interested in the creative process. This pictorial research is currently linked to phenomenology: the study of what appears...traces, mirrors are its signs.
"My practice of painting is intimately linked to the practice of dance improvisation"
About the seller
Professional art gallery • France
Artsper seller since 2018
Vetted Seller
This seller rewards your purchases of multiple artworks
Imagine it at home
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Gestalt, Pans, Plan
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Presentation
Rémi Delaplace was born in 1972. He lives and works in Paris. His education (Master 2 in Contemporary Art and New Media at the Paris 8 University) allows him to address the issue of perception in art as well as the relationship between spectator and work.
The artist builds his practice as a journey. The starting point was his research on the sensitive which took shape in his drawings: they were representations of an abstract vibration. The gesture in the instantaneous movement, the energy - these were a significant part of his research and were happening in time. The drawings became partitions for the vibrations.
The practice of contact improvisation dance? had a strong impact on his work. Rémi Delaplace integrates it into his creative pictorial process. That is where he appropriates the notion of consciousness in space. It becomes a theme in his work, but also a part of the creative process, of the movement and of the gesture of painting.
This is how the artist describes his work:
"In the beginning, my research was directed towards the space of the sensitive: understanding what is going on between the sensitive, the emotion, the feeling, the meaning and the body.
A first axis in my creation has been a research on consciousness and particularly on the concept of finitude, which took shape into pieces entitled "Dead Bodies" and "Still Life".
Another axis integrates the interiority and is entitled "In Out". I have questioned the limits, the boundaries between the self and the other, between inside and outside. I question the body, the senses and the mind.
Feeling the emotion and the consciousness helped me reach a certain expression through the pictorial language, in the moment: the ?here and now?. The expressions of emotions (anger, mourning... ) are accompanied by forms borrowed from signs and signals: mental and feeling are incorporates this way.
I offer the color, the saturation as constituting elements of the painting, expressions of feelinging. The pace and the brushstroke express emotion."
- Rémi Delaplace
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