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Numéro 5,
2019
Carole Duhayer
Painting : acrylic
65 x 50 x 0.25 cm 25.6 x 19.7 x 0.1 inch
€2,800
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Dimensions cm • inch
65 x 50 x 0.25 cm 25.6 x 19.7 x 0.1 inch Height x Width x Depth
Support
Framing
White frame with museum glass
Artwork dimensions including frame
70 x 55 x 1 cm 27.6 x 21.7 x 0.4 inch
Tags
Artwork sold in perfect condition
Artwork location: France
This captivating work of art is a masterpiece of contemporary abstraction. Against a dense black background, a profusion of vibrant geometric shapes collide and complement each other in a harmonious and vibrant dance. Sinuous curves, perfect circles and rectangular segments, all adorned with bold and vivid hues, come to life on the canvas. The bright colours – pink, yellow, blue and green – are applied with an intensity that immediately captures the eye, establishing a striking contrast with the dark background. Each shape seems to levitate, adding an almost three-dimensional dimension to the whole. The slightly visible texture of the black background reveals a skillful technique, highlighting the importance of craftsmanship in the execution of this work. The arrangement of shapes and colours is masterful. The undulating curves seem to escape from their frame, breaking with the more rigid lines of the rectangles and squares, creating a dynamic and balanced visual rhythm. This carefully calculated, yet seemingly chaotic composition invites the viewer to explore every corner of the canvas, discovering subtle interactions between colors and shapes. The star symbol within the blue circle at the top right of the canvas represents an intriguing focal point. It draws the eye and invites deeper interpretation, perhaps suggesting a center of gravity or point of origin in this vibrating universe. This work embodies energy, vitality, and the relentless quest for balance between order and chaos. It transcends the limitations of traditional painting to offer an immersive and stimulating visual experience. A true tour de force of abstraction that is sure to provoke reflection and admiration.
About the seller
Paul Stewart Gallery • France
Artsper seller since 2016
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Presentation
Carole Duhayer lives and works in Paris. She was born in 1978. She traveled across Europe and the United States before studying Design at the Nissim de Camondo school in Paris. She also studied painting at the École des Beaux-Arts in Paris in James Bloedé's studio.
It was while visiting Serge Poliakoff's exhibition at the Museum of Modern Art that she had a real aesthetic shock, after the Alhambra in Granada and its Moorish architecture.
The trigger to produce a first collection of paintings...
She presented them at an exhibition in Saint Germain des Prés.
She chose painting to explore "modernity", as Baudelaire wrote, "the transitory, the fugitive, the ephemeral. »
Her degree from the Ecole Camondo, obtained in 2005, certainly has a lot to do with it since she is always experimenting with notions of colors, space and form, and questions the reinterpretation of decorative modernity invented by Klee or Matisse.
Her activity in art extends into the world of design and interior architecture where she collaborates on international projects with Philippe Starck, Tino Zervudachi, Gilles & Boissier among others; Samsung Electronics, Onboards Controls (aeronautics), Zadig & Voltaire…
Her plastic research brings the scientific and artistic worlds into dialogue through the pictorial poetry of decorative pattern and ornament.
All life is a circle, from the smallest - atoms - to the largest - planets and we are made of atoms and molecules in the harmony of the cosmos.
Shapes and colors are articulated in a quest for movement, a dynamic design: that of a "dance of form". Color becomes the motif, a subtle hybridization between baroque and minimalism.
She exhibits regularly at Saint Germain des Prés (sponsored by Pierre Cornette de Saint Cyr) as well as at Castel (Paris 6th) around the fashion image highlighted by her pictorial motifs as if to recall the modernity dear to Baudelaire…images and therefore digital icons that also inscribe her painting in contemporary fashion.
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