Would you like to see more pictures of this artwork?
Specify which details of the work you would like and we will be in touch as soon as possible.
Request sent
Your request for more pictures has been sent
Request not sent
An error occured while asking for more pictures
Lorsque la vague se retire,
2022
Louis-Paul Ordonneau
Painting : oil
114 x 162 x 5 cm 44.9 x 63.8 x 2 inch
$8,775
LOADING NOT DISPLAYED BLUR TEXT
Second NOT DISPLAYED BLUR TEXT
Second NOT DISPLAYED BLUR TEXT
Free returns within 14 days
Authenticity guaranteed
Learn moreSecure payment
Paypal
American Express
Visa
Mastercard
Apple Pay
Google Pay
About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Dimensions cm • inch
114 x 162 x 5 cm 44.9 x 63.8 x 2 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: France
Signed on the back by the artist.
"Painting is descending into oneself"
“When you come to an exhibition, you expect to discover novelties and to see where the progress of the artist is.
This time for my exhibition at the Galerie Claire Corcia, there is no contemporary novelty, no assertive one-upmanship, no confirmation of belief, no certainty or coherence, no theory.
Because the surface of the lake is full of dead leaves, there is a deep water plunge.
Today I present a work of deconstruction that I carried out to return to the essence of my anima in creation, to extract it, and to see where it took me in painting.
Exposing my shortcomings, my contradictions, my attempts, my mistakes, to share what we can learn from being put in danger, this is what I propose in this exhibition where those who have known my work since my beginnings do not s will not find there.
In my process, I stopped my paintings when I no longer understood them. I wanted to paint the unknown in the strongest sense. By focusing on this misunderstood, I believe that I am getting closer to myself. There is no longer an accumulation of references, nor "looking for Charlie", nor even a demonstration of know-how or pareidolia. There is no longer any desire for progress or consistency.
Clearly I am showing difficulties. This is also a form of ethical requirement. It may be naive, but I also see a form of re-enchantment in it.
Ask yourself why we keep imprinted in our memory memories of meadows, rivers, seaweed, depths.
To paint, for me, is more than ever going down into oneself, because the surface of the lake is full of dead leaves and so you have to dive deep, where the imagination is no longer condemned by ridiculous torments. , even if it is at the risk of encountering a neutrality that could well make one think of nothingness.
In my paintings, one can believe that I repeat genres of landscapes with variations. It's the case. Everything remains to be done and everything will always remain to be done. It is a way of opposing the idea of a total theory in painting which is often satisfactory today. That such a fantasy can arise in people's minds says a lot about our time.
Any new artistic proposal is inevitably a mistake. So obviously I'm wrong, but I'm surprised that it can surprise.
To paint is to accept being wrong. In a positive version, it is knowing that what you think you will find one day will be replaced the next day. I agree with this neat idea. Besides, tomorrow we will see a new exhibition. I like anomalies and I hope my paintings are. The anomalies that we prefer are always those whose explanation we would like to know first.
Louis Paul Ordonneau
Read more
"Painting is descending into oneself"
“When you come to an exhibition, you expect to discover novelties and to see where the progress of the artist is.
This time for my exhibition at the Galerie Claire Corcia, there is no contemporary novelty, no assertive one-upmanship, no confirmation of belief, no certainty or coherence, no theory.
Because the surface of the lake is full of dead leaves, there is a deep water plunge.
Today I present a work of deconstruction that I carried out to return to the essence of my anima in creation, to extract it, and to see where it took me in painting.
Exposing my shortcomings, my contradictions, my attempts, my mistakes, to share what we can learn from being put in danger, this is what I propose in this exhibition where those who have known my work since my beginnings do not s will not find there.
In my process, I stopped my paintings when I no longer understood them. I wanted to paint the unknown in the strongest sense. By focusing on this misunderstood, I believe that I am getting closer to myself. There is no longer an accumulation of references, nor "looking for Charlie", nor even a demonstration of know-how or pareidolia. There is no longer any desire for progress or consistency.
Clearly I am showing difficulties. This is also a form of ethical requirement. It may be naive, but I also see a form of re-enchantment in it.
Ask yourself why we keep imprinted in our memory memories of meadows, rivers, seaweed, depths.
To paint, for me, is more than ever going down into oneself, because the surface of the lake is full of dead leaves and so you have to dive deep, where the imagination is no longer condemned by ridiculous torments. , even if it is at the risk of encountering a neutrality that could well make one think of nothingness.
In my paintings, one can believe that I repeat genres of landscapes with variations. It's the case. Everything remains to be done and everything will always remain to be done. It is a way of opposing the idea of a total theory in painting which is often satisfactory today. That such a fantasy can arise in people's minds says a lot about our time.
Any new artistic proposal is inevitably a mistake. So obviously I'm wrong, but I'm surprised that it can surprise.
To paint is to accept being wrong. In a positive version, it is knowing that what you think you will find one day will be replaced the next day. I agree with this neat idea. Besides, tomorrow we will see a new exhibition. I like anomalies and I hope my paintings are. The anomalies that we prefer are always those whose explanation we would like to know first.
Louis Paul Ordonneau
About the seller
Galerie Claire Corcia • France
Artsper seller since 2013
Vetted Seller
This seller rewards your purchases of multiple artworks
Imagine it at home
Discover more by the artist
Au coucher du soleil
Louis-Paul Ordonneau
Painting - 65 x 54 x 5 cm Painting - 25.6 x 21.3 x 2 inch
$4,563
Imbriglio et révélation
Louis-Paul Ordonneau
Painting - 92 x 65 x 5 cm Painting - 36.2 x 25.6 x 2 inch
$5,733
Femme et enfant grenouille qui passent dans le paysage bizarre
Louis-Paul Ordonneau
Painting - 120 x 90 x 5 cm Painting - 47.2 x 35.4 x 2 inch
$6,435
Gestation picturale pour autrui
Louis-Paul Ordonneau
Painting - 120 x 90 x 5 cm Painting - 47.2 x 35.4 x 2 inch
$6,435
Faire attention aux poissons
Louis-Paul Ordonneau
Painting - 115 x 162 x 5 cm Painting - 45.3 x 63.8 x 2 inch
$8,073
Imbriglio et révélation
Louis-Paul Ordonneau
Painting - 92 x 65 x 5 cm Painting - 36.2 x 25.6 x 2 inch
$6,903
Presentation
Born in 1975, lives and works in Paris. In 1999, I set up my workshop in temporary and alternative places in the capital.
From that time on, the exploration of color has been at the heart of my work. During one of my very first exhibitions, a visitor comments: "Too many colors in your paintings".
I choose to assume this excess and make the exuberance of the chroma a line of conduct, my path to freedom. In my artistic research, figuration is eclipsed in favor of a dense abstraction which does not deny reality but throws on it the singular perspective of a gaze fascinated by colors: the gaze of a painter who persists somewhat. or the medium.
More works from Galerie Claire Corcia
This seller offers discount when you purchase multiple artworks!
Tête tatouée
Geneviève Seillé
Fine Art Drawings - 91 x 46 cm Fine Art Drawings - 35.8 x 18.1 inch
$3,744
Flores rotas V
Sergio Moscona
Fine Art Drawings - 56 x 76 cm Fine Art Drawings - 22 x 29.9 inch
$5,733
Sans titre #2
Zahra Zeinali
Fine Art Drawings - 50 x 70 cm Fine Art Drawings - 19.7 x 27.6 inch
$2,925
Need help?
Where can I be delivered?
Artsper delivers internationally. The list of countries is available in the first step of your cart.
If your country is not listed contact us at [email protected] and we will see what we can do.
Note that Customs fees may apply for works shipped internationally. This is indicated in the first step of the shopping cart.
You can choose a delivery address different from the billing address. Make sure that a trusted person is present to receive the work if you cannot be there.
How do I showcase my work?
Have you purchased a painting, sculpture or work on paper?
Find our expert advice for the conservation and promotion of your works in the articles below:
Why choose Artsper for your art purchases
Artsper offers you access to more than 200,000 works of contemporary art from 2,000 partner galleries. Our team of experts carefully selects galleries to guarantee the quality and originality of the works.
You benefit from:
-
Works at gallery price
-
Return within 14 days, regardless of your location
-
Easy resale of the work purchased on Artsper
-
Personalized research tools (selection and tailor-made universe)
Our customer service is available for any assistance.
Protect your purchase with Artsper: Buy with confidence
At Artsper, our mission is to allow you to collect works of art with complete peace of mind. Discover the protections we offer at every stage of your shopping experience.
Buy works from top galleries
We work in close collaboration with carefully selected art galleries. Each seller on Artsper is carefully examined and approved by our team, thus ensuring compliance with our code of ethics. You therefore have the assurance of purchasing authentic, high-quality works.
Total transparency: you know what you are buying
Before being posted online, all artwork on Artsper is reviewed and validated by our moderation team. You can browse with complete peace of mind, knowing that each piece meets our criteria of excellence.
Personalized support: our experts at your service
Our team of contemporary art experts is available by phone or email to answer all your questions. Whether you want advice on a work or a tailor-made selection to enrich your collection, we are here to support you.
Resell your works with ease
If you have purchased a work on Artsper and wish to resell it, we offer you a dedicated platform to relist it. To find out more, click here.
Make offers with Artsper: negotiate like in a gallery
You have the possibility to propose a price for certain works, just like in a gallery. This feature allows you to initiate discussions and potentially acquire your coins at advantageous prices.
Get help with your negotiations
Our team will negotiate for you and inform you as soon as the best offer is obtained. Do not hesitate to call on our expertise to ensure a transaction at the best price.
Order securely
Artsper satisfaction assurance
We want you to be completely satisfied with your purchase. If the work you receive is not to your liking, you have 14 days to return it free of charge, and you will be refunded in full, whatever the reason.
Secure payment with Artsper partners
All credit card payments are processed by Paybox, the world leader in payment solutions. Thanks to their strict security standards, you can transact with confidence.
Problem Support
In the rare event that an artwork arrives damaged or not as described, we are here to help. Whether for a return, refund, restoration or exchange, our team will support you throughout the process and will ensure that we find the solution best suited to your situation.
Conditions to benefit from Artsper protections:
-
Use one of the payment methods available on Artsper for your order.
-
Report any problems within one week of receiving the work.
-
Provide required photographic evidence (including original artwork and packaging).
Artsper guarantees cover the following cases:
-
The received work lacks a described characteristic (for example, a signature or frame).
-
The artwork has significant differences from its description (e.g. color variation).
-
The work is damaged upon receipt.
-
The work is lost or damaged by the carrier.
-
Delivery is significantly delayed.
With Artsper, you collect with complete peace of mind.