Les gardiens
Marta Anglada
Fine Art Drawings - 28 x 21 x 0.2 cm Fine Art Drawings - 11 x 8.3 x 0.1 inch
$526
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On est là,
2021
Marta Anglada
Painting : acrylic, collage
24 x 30 x 0.2 cm 9.4 x 11.8 x 0.1 inch
$585
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Dimensions cm • inch
24 x 30 x 0.2 cm 9.4 x 11.8 x 0.1 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: France
Born in 1983 in Burgos, Spain. Lives and works in Toulouse, France.
After a Master 2 in Art History in Zaragoza, she continued her studies in Toulouse for a Bachelor of Plastic Arts. It was at this time that she began practicing collage, painting, ceramics while approaching street art.
All of his work and creative process are based on three key elements: exploration of the unconscious, improvisation and chance. His painting comes from the unconscious. It starts from the absence of any idea to come to the idea.
For Marta Anglada, painting is a process that allows you to give substance to your thoughts through abstract or narrative universes.
From his work, emerges a non-voluntary, non-reflective figuration which aims to broaden collective consciousness.
Color controls the gesture through a formal vocabulary that uses primary geometric shapes.
We also observe rudimentary constructions where beings appear who seem to carry messages. Who are they ? Will they harm us or support us?
In this context, is it possible that in the act of creation, the artist wants to surround himself with benevolent forces which animate his creation? Yes, it is then a ritual that Marta Anglada performs to transmit these forces to the spectator.
His work has already been exhibited in around a hundred exhibitions in France and abroad and won several public commissions.
Read more
After a Master 2 in Art History in Zaragoza, she continued her studies in Toulouse for a Bachelor of Plastic Arts. It was at this time that she began practicing collage, painting, ceramics while approaching street art.
All of his work and creative process are based on three key elements: exploration of the unconscious, improvisation and chance. His painting comes from the unconscious. It starts from the absence of any idea to come to the idea.
For Marta Anglada, painting is a process that allows you to give substance to your thoughts through abstract or narrative universes.
From his work, emerges a non-voluntary, non-reflective figuration which aims to broaden collective consciousness.
Color controls the gesture through a formal vocabulary that uses primary geometric shapes.
We also observe rudimentary constructions where beings appear who seem to carry messages. Who are they ? Will they harm us or support us?
In this context, is it possible that in the act of creation, the artist wants to surround himself with benevolent forces which animate his creation? Yes, it is then a ritual that Marta Anglada performs to transmit these forces to the spectator.
His work has already been exhibited in around a hundred exhibitions in France and abroad and won several public commissions.
About the seller
Professional art gallery • France
Artsper seller since 2023
Vetted Seller
Collector’s Guide
Imagine it at home
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Salut les terriens
Marta Anglada
Fine Art Drawings - 28 x 21 cm Fine Art Drawings - 11 x 8.3 inch
$526
Presentation
Born in 1983 in Burgos, Spain. Lives and works in Toulouse, France.
After a Master 2 in Art History in Zaragoza, she continued her studies in Toulouse for a Bachelor of Plastic Arts. It was at this time that she began practicing collage, painting, ceramics while approaching street art.
All of his work and creative process are based on three key elements: exploration of the unconscious, improvisation and chance. His painting comes from the unconscious. It starts from the absence of any idea to come to the idea.
For Marta Anglada, painting is a process that allows you to give substance to your thoughts
through abstract or narrative universes.
From his work, emerges a non-voluntary, non-reflective figuration which aims to broaden collective consciousness.
Color controls the gesture through a formal vocabulary that uses primary geometric shapes.
We also observe rudimentary constructions where beings appear who seem to carry messages. Who are they ? Will they harm us or support us?
In this context, is it possible that in the act of creation, the artist wants to surround himself with benevolent forces which animate his creation? Yes, it is then a ritual that Marta Anglada performs to transmit these forces to the spectator.
His work has already been exhibited in around a hundred exhibitions in France and abroad and won several public commissions.
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