Bambuzal
José Ignacio Suarez Solis
Painting - 99.8 x 149.9 x 0.3 cm Painting - 39.3 x 59 x 0.1 inch
€2,816
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Ori tupinamba Invisivel, Caboclo Mata Virgem,
2023
José Ignacio Suarez Solis
Painting : acrylic
149.9 x 160 x 0.3 cm 59 x 63 x 0.1 inch
€4,506
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Dimensions cm • inch
149.9 x 160 x 0.3 cm 59 x 63 x 0.1 inch Height x Width x Depth
Framing
Not framed
Artwork sold in perfect condition
Artwork location: Brazil
ORÍ TUPINAMBÁ INVISÍVEL, CABOCLO MATA VIRGEM, 2023 by José Ignacio Suarez Solis From the Series Figures Acrylic paint on canvas Size: 150 H x 160 W cm. Unframed
This dynamic artwork presents a striking silhouette of a human figure with one hand raised, contrasted against a textured background. Radiating lines of vivid color burst from the figure, including bold reds, blues, and greens, suggesting an explosion of energy or ideas. The silhouette, rendered in deep black, stands against a textured white surface, creating a compelling visual dichotomy that draws the eye. The use of thick, impasto brushstrokes adds depth, inviting viewers to explore the interplay of light and shadow. The composition evokes a sense of motion and transformation, capturing the essence of human expression and the complexity of the inner self. The artwork commands attention with its bold contrast and dynamic energy, making it an unforgettable visual experience.
About the seller
The Art Design Project - Art Gallery • United States
Artsper seller since 2019
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Presentation
Son of Cuban parents, José Ignacio Suarez Solis arrived in Rio de Janeiro during his childhood, settling in Bahia in 1974. Between 1987 and 1993 he studied in the United States, initially in New York and then on the West Coast, where he graduated with a B.A. Architecture from the University of Oregon. In Copenhagen (1990) he had contact with drawing and watercolor, starting to produce journals of sketches. He participated in his first exhibition in Oregon, in 1992. His first architectural project (1991) was the residence of the country, on the escarpment of Baía de Todos os Santos. In 1994, the artist settled on a coffee farm in Chapada Diamantina where he developed the practice of drawing and painting with greater regularity. A regular at Carybé's studio, he was influenced by sculptural practice involving the use of beaten iron. As an architect, José Ignacio was a project manager in the hotel sector, carrying out several transits throughout Latin America - which allowed him to improve his research and greater circulation of his work, integrating private collections spread across the places where he dwelt. In 2004 he did an artistic residency in Helsinki, Finland, redefining the use of your palette. Reinstalled in Salvador in 2018, the artist carries intellectual concerns that lead him between the affection for continental geography and the nostalgia for a destination. His investigations into the mythological imagery of indigenous matrices poetically translate into deities painted on canvas or sculpted in wood, stone, and iron.
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