
There must have been an angel by my side
Ritchelly Oliveira
Painting - 65 x 54 x 3 cm Painting - 25.6 x 21.3 x 1.2 inch
€7,300
Painting : acrylic, charcoal
126 x 106 x 3 cm 49.6 x 41.7 x 1.2 inch
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Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Dimensions cm • inch
126 x 106 x 3 cm 49.6 x 41.7 x 1.2 inch Height x Width x Depth
Support
Framing
Black frame
Artwork dimensions including frame
130 x 110 x 5 cm 51.2 x 43.3 x 2 inch
Artwork sold in perfect condition
Artwork location: Portugal
"They Didn't Teach Me How to Be Loved" by Ritchelly Oliveira is a poignant depiction that explores themes of love, vulnerability, and the absence of guidance. Against a backdrop of pristine white, a black man stands at the center of the canvas, his arms wrapped around a stork and a dove.
The man's embrace of the stork and dove symbolizes a longing for love and connection, as well as an acknowledgment of vulnerability. The stork, often associated with birth and new beginnings, may represent the desire for nurturing and guidance. Meanwhile, the dove, a universal symbol of peace and love, reflects the yearning for emotional connection and understanding.
Two doves hover in front of the man's face. This imagery suggests a sense of introspection and inner turmoil, as the man grapples with his own insecurities and uncertainties about love and acceptance.
For Oliveira, birds represent fragilities, as they are unable to land and rest due to their lack of paws. This symbolism underscores the transient and delicate nature of human emotions, highlighting the constant struggle to find stability and security in a world filled with uncertainties.
"They Didn't Teach Me How to Be Loved" invites viewers to contemplate the complexities of love and vulnerability, as well as the longing for acceptance and guidance in navigating the intricacies of human relationships.
Ritchelly Oliveira, visual artist, began his work in 2012, shortly after enrolling in visual arts at the Federal University of Goiás (UFG), he found in the human figure a space to present his speech about what he understands most profoundly present in affective relationships. He talks about what he suspects to be love and, believing it to be a universal feeling. It proposes what is common to men, even knowing that this love brings something that is also individual and particular.
Believing that affective relationships are built from the individual and how their surroundings interfere with them, we try to rescue here the possibility of constructing discourses about love, especially black love. The importance of reflecting together on issues such as sexuality, emotional responsibility and colorism are necessary canons in this invitation to embrace the dangerous and exclusionary ideals of romantic love that circulate in our environments.
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