
The Lady and the Peacock
Carlos Gamez de Francisco
Painting - 61 x 50 x 3 cm Painting - 24 x 19.7 x 1.2 inch
$5,317
Painting : acrylic
102 x 46 x 2 cm 40.2 x 18.1 x 0.8 inch
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Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Dimensions cm • inch
102 x 46 x 2 cm 40.2 x 18.1 x 0.8 inch Height x Width x Depth
Framing
Not framed
Artwork sold in perfect condition
Artwork location: United States
Gamez de Francisco paints and photographs very passionately, making statements filled with symbolism. He frequently includes insects in his artwork. He says: Flying insects represent FREEDOM; Falling insects represent CHAOS; When they are lying down, they represent BALANCE.
His classical training was based on portraits and history, paintings that Royalty and the very wealthy upper class would commission. Garments were exquisite, surroundings emanating wealth. But Carlos felt that “Everybody has the right to be in the portrait" and he embarked on a series where everyday people were featured with 'found' objects in their home, like lace doilies, curtains, plastic bags, and kitchen towels, draped and adorned in such a way they appeared 'royal'.
His paintings of furniture tend to be over-decorated, a nod perhaps, to that of the wealthy, but maybe more as a result of a childhood memory. In Cuba, his mother saved for two years to purchase a new sofa. It was such a sign of achievement for her that it was kept in plastic and no one was allowed to sit on it. He learned to admire it from a distance as if he were in a museum.
After arriving in the United States, he noticed the lavish attention we devote to our pets, spoiling them and allowing them to lounge on the sofa. This led to a new series: “Keep Your Pets Off Furniture". This series not only had dogs laying on the sofa but had horses jumping on the elaborately decorated couch. Today, Gamez de Francisco's Afghan Hound has the run of the house, lounging wherever he likes. Living in Kentucky, horses are a favorite theme for Gamez de Francisco. In surrealist fashion, he combines horses with the human form, centaur-like, but in reverse – the horse's head with a human body. Or, maybe the head of a dear, a fox, a giraffe . . . and don't be surprised if the body is that of a beautiful woman attired in silk and finery.
Gamez de Francisco's work is exquisitely detailed, beautifully executed, and primarily – thought-provoking.
As a post-revolutionary Cuban-born artist, Carlos Gamez de Francisco paints a bright distorted reality in which he demystifies classical beauty and presents it as more of a natural process in its natural form. The figures in his portraiture-style artworks are superimposed and manipulated through the artist's own experiences of historical figures and events.
Francisco's style is heavily influenced by his Cuban upbringing in a Russian-governed academia setting. This presence exposed Francisco to the world of figurative arts while censoring contemporary art. As this was the accepted dogma, the artist began to rethink and question the accuracy of history and its telling. He began to understand that decontextualizing epochs and artistic symbols was the tool he could use to establish a connection between the present and the past. This near-obsession with the past and storytelling translates into his work, which provides an escape from reality while creating an illusory world.
Gamez de Francisco received his BFA from the Art Institute of Chicago in 2016. His work has been exhibited nationally and internationally as well as shown in many private and public collections including the 21c Museum in Louisville, Kentucky, and the Cubaocho Museum in Miami, Florida. Francisco has received numerous awards and commissions including a mural for Google.
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