Two Standing Figures, 2021
Vav Hakobyan

Painting : oil

140 x 190 x 3 cm 55.1 x 74.8 x 1.2 inch

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About the artwork

Type

Unique work

Signature

Hand-signed by artist

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Dimensions cm inch

140 x 190 x 3 cm 55.1 x 74.8 x 1.2 inch Height x Width x Depth

Framing

Not framed


Artwork sold in perfect condition

Artwork location: Portugal

Explore the boundaries of contemporary art with Vav Hakobyan's "Two Standing Figures," an oil on canvas that boldly challenges conventional forms through its blend of illustrative figuration and deconstructive abstraction. This unique painting features vivid, dynamic forms and a plethora of colors that burst forth from a predominantly dark background, creating a striking contrast that captures the viewer's attention and imagination.

The artwork is characterized by two central figures, each presented with a unique, abstract twist that disrupts traditional representation. The figures seem to be caught in a moment of motion or interaction, surrounded by a chaotic yet harmonious blend of abstract elements and bright, expressive splashes of paint. Hakobyan's style merges sharp, graphic lines with spontaneous, fluid movements, making the canvas come alive with energy.

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About the seller

Tilsitt Gallery • Portugal

Artsper seller since 2022

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Imagine it at home

Vav Hakobyan, Two Standing Figures
Armenia  • 1987

Presentation

“Since 2017 my painting and working style had a drastic turnaround. I decided to refuse the building style of composition by which I was guided for years. I started paying less attention or completely eliminated from my painting the dogmas, which were preventing my imaginary free doings. I began not classifying my doings and not thinking about their sequence.

Balanced composition, symmetry, light position, prospect, history and even painting's balance of saturation stopped being interesting for me. I am interested in new forms, new figures, that don't have past and future, that don't exist in reality and have no history. They are discovered and seen move on the canvas or outside of it independently, depending on moment's influence not following my caprices.

I am interested in the change of forms, the transformation of figures, unpainted spaces on the canvas, incompatible diversity, the extremeness of contrasts. This is an endless process and as the painting's final look is not important to me, the efforts to make a painting on purpose make it meaningless.

Every new painting is a surprise for me. I became not interested in paintings themselves, I'm interested in painting them...

I want to see an explosion in my paintings, but I don't want them to be negative. I am happy with the expression of positive emotions in them, even if I don't present a positive theme. Sometimes it's interesting for me to find a comedic feature in tragedy and to emphasize it.

I want my works to be like my dreams, which I might have seen, but that have been wiped from my mind. That thought may seem a bit strange, but it may be a reflection of subconscious perception.

While painting the whole canvas, the figures appear and disappear as they change their places and colours and move across the canvas, in other words they change in their movements until they find their appropriate places.

While creating a new painting I always try to cover as little of the canvas as possible. I like the colour of canvas. Sometimes it happens that the painting is completed without covering the whole canvas, but sometimes it doesn't."

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