Brain colors,
2024
Bebar
Painting : acrylic
100 x 100 x 4 cm 39.4 x 39.4 x 1.6 inch
One of the last works available by this artist
Second NOT DISPLAYED BLUR TEXT
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Dimensions cm • inch
100 x 100 x 4 cm 39.4 x 39.4 x 1.6 inch Height x Width x Depth
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: France
This artwork is distinguished by its vibrant complexity and organic theme. It features a dynamic tangle of sinuous lines in vibrant colors: red, blue, yellow and green, evoking an imploding network of vessels or an exuberant plant tissue. The pink background is adorned with repeating circular patterns, adding a hypnotic depth to the composition. The interplay between the undulating forms and the vibrant hues creates a striking contrast, captivating the viewer's eye. The overall atmosphere is both energetic and chaotic, evoking the complexity of life and nature. This painting is distinguished by its bold use of color and pattern, defying conventional perspective and inviting contemplation and personal interpretation. A bold and iconic artistic achievement.
About the seller
Professional art gallery • France
Artsper seller since 2023
Vetted Seller
Imagine it at home
Presentation
Mathias Mendez aka BEBAR, is an emerging French street artist. Born in 1993 in Vitry-sur-Seine in the Paris region, he inherits a dual Franco-Spanish culture that influences his references and his artistic work.
A hyperactive child, only drawing can channel him and keep him focused. That's why he will never stop drawing.
As a young teenager, he received his first spray paint cans at the age of 13 and quickly discovered the workings of Parisian graffiti. He signed his first wall in 2010 and joined the MAC Crew (an international street art movement with joint projects and festivals). It was then that urban culture would rub off on his artistic inspirations.
The transgressive practice of graffiti will be contrasted by academic studies at the Decorative Arts in Paris as well as at the Parsons School in New York.
It is from this constant ambivalence between street art and academic art that his artistic approach was born. A duality that is also found in the form that his works take; halfway between figuration and abstraction.
In 2014, BEBAR began a decisive turning point in his practice. Tired of traditional graffiti, he sought to renew himself. During a fresco, he reinvented his favorite character, deconstructing it into ovoid shapes and playing with the saturated colors of his aerosols. This stylistic transition was inspired by the observation of the infinitely small: cells, bacteria, viruses or molecules became sources of inspiration, both in their organic forms and in their chromatic nuances.
The practice of large format, inherited from his years on urban walls, pushes BEBAR to perfect the use of the aerosol, his favorite tool. A medium that brings spontaneity, control but also accidents in his work. This tool requires dexterity and large movements that give birth to his constantly proliferating style.
In his frescoes, BEBAR questions the viewer's gaze. The abstraction of his compositions solicits the imagination and provokes introspection, like a Rorschach test: What does the artist show us? Or rather, what do we want to see? Each viewer projects his or her own interpretation, oscillating between the artist's initial message and a deeply personal reading.
Beyond simple contemplation, BEBAR brings us back to the child in each of us, the one who marvels at shapes and colors, but also the one who struggles to concentrate in the face of a world in perpetual motion.
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