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Le solstice de poisson,
1990
Claude Routier
Painting : acrylic
92 x 73 x 2 cm 36.2 x 28.7 x 0.8 inch
$2,312
One of the last works available by this artist
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Dimensions cm • inch
92 x 73 x 2 cm 36.2 x 28.7 x 0.8 inch Height x Width x Depth
Support
Framing
Green frame
Artwork dimensions including frame
96 x 77 x 4 cm 37.8 x 30.3 x 1.6 inch
Tags
Artwork sold in perfect condition
Artwork location: France
This bold and intriguing work is distinguished by its complex fusion of abstract forms and distinctive elements. Dominated by earthy tones, it presents an assemblage of organic and geometric patterns, harmoniously intertwined. The use of green and orange evokes a tension between nature and artifice. A watchful eye seems to observe from the composition, adding an introspective dimension. Subtly integrated roses bring a touch of contrasting softness, testifying to a delicate sensitivity within the apparent chaos. The artist ingeniously plays with textures, mixing smooth surfaces with more textured details. This painting is an invitation to explore the hidden depths behind each line and color, awakening the viewer's imagination with its symbolic richness and innovative design. A powerful work that defies convention and challenges the mind.
About the seller
Galerie PLURIELLE • France
Artsper seller since 2016
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Presentation
Claude Routier was born on March 12, 1943. "He was from Sète, as one would say from France, and he was very surprised when people asked him where this city was." He would not leave his city until he was 27 to pursue a career in National Education. He wanted to be a pediatrician, he would become a physical education teacher, not out of desire, but out of a need to earn a living.
At the age of 20 he received a box of paints as a gift: "it was his entry into painting, decisive and without return". His first personal exhibitions took place in the 70s.
At the age of 41, he stopped his job as a teacher to devote himself exclusively to painting and writing because "he wanted his painting to read like a book."
A lasting friendship binds him to Pierre François, one of the fathers of Free Figuration. Like him, he feels like a "brother in painting" of the artists who preceded him.
He works without a model, without any preliminary sketch, drawing or eraser. In his canvases, pastels and murals, his expression is always spontaneous, without codes or barriers.
"This magician of images and poet of colors" put down his brushes for good in November 1999, he died at the age of 56.
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