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Bouquet à la fenêtre,
2022
Sophie Roy
Painting : oil
58 x 48 x 2 cm 22.8 x 18.9 x 0.8 inch
€520
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Dimensions cm • inch
58 x 48 x 2 cm 22.8 x 18.9 x 0.8 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: France
The Bouquet at the Window motif comes from the troglodyte houses of Graufthal, in Northern Alsace. The interior of these houses has been furnished by an association. Each table is decorated with bouquets of wildflowers, whose simplicity matches the rusticity of the place. The crumbling walls offer the artist a subject of pure painting, with colors patinated by time. The simple objects, the vase, the teapot without a lid, the white plate, are placed near a window at the limit between shadow and light. In these dark houses built into the rock, the porcelain offers the painter its gleams of light, and the flowers their colors and their lightness. Placed there without affectation, they are nevertheless matched to the flaking of the wall. Beauty arises if we are willing to see it...
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About the seller
AIDA Galerie • France
Artsper seller since 2016
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Presentation
My landscapes seek to capture the particularity of a light. The evening light exalts the sonority of the colors, and allows me to play with the accentuated contrasts between the areas of shadow and light. The play of reflections in the water is also a source of inspiration and reverie, to contemplate and paint. The surface of the water transforms what overhangs it into abstract flat tints, sometimes fantastic. The elements of the landscape, particularly the trees, the skies and the water, bring me this feeling of wide breathing that I seek to represent.
The objects that surround me, sometimes the most banal, also interest me, through their reflections and their materials. My painting captures stagings of objects, but also things that we do not look at, those of everyday life, like a sink for example. The term "still life" that is commonly used does not satisfy me: I prefer to speak of the inhabited silence of things (it is Aragon who says it about Matisse). Objects have this magical power to create an atmosphere, and this is what I seek to render in painting. My work also aims to restore the dialogue between objects by the reflection of color on their surfaces, the way in which they capture light and create subtly colored brilliance and shadows.
Oil painting, a sensual material, is my favorite technique, because it allows for subtle blends of colors, and transparency effects that are not found with other techniques.
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