Solitude,
2024
Nadège Dauvergne
Painting : acrylic, Posca, Indian ink
92 x 73 x 3 cm 36.2 x 28.7 x 1.2 inch
$2,774
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Medium
Dimensions cm • inch
92 x 73 x 3 cm 36.2 x 28.7 x 1.2 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: France
This captivating work blends classicism and modernity through a bold deconstruction technique. Dominated by a dark background with shades of green, it depicts a female figure with a pensive gaze and crossed arms. The introspective posture suggests meditation and reverie. The artist uses a fragmentary method, eroding the contours of the silhouette, giving a fascinating effect of decomposition. This contrast between the finesse of the face and the progressive dissolution of the body creates an intriguing visual tension. The painter skillfully exploits light and shadow to accentuate textures, captivating attention to subtle details of the clothing and face. This painting questions perception and identity, inviting the viewer to contemplate impermanence and memory. A masterpiece that fuses tradition and innovation, intellect and emotion.
This work is inspired by the famous painting "Solitude" by the English artist Frederick, Lord Leighton, kept at the Maryhill Museum of Art, Goldendale, in Washington.
About the seller
galerie artfontainebleau • France
Artsper seller since 2014
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Discover more by the artist
Buse et boîte aux lettres
Nadège Dauvergne
Painting - 30 x 30 x 0.5 cm Painting - 11.8 x 11.8 x 0.2 inch
$555
Presentation
Most street artists are self-taught. Not her. It is after having followed classical studies at the Beaux-Arts, and taking with her a solid cultural and technical background that Nadège Dauvergne turned to urban art.
I grew up in the suburbs of Paris and the world of graffiti has always attracted me, I liked to hang out near the railroad tracks in the wastelands, these are inspiring places," explains the artist. Her work in the street has logically come to feed her works sold in galleries.
In recent years, she has been working on two recurring themes: the (mostly) female figures of academic painting or sculpture that she introduces into the world of urban contemporary art on the one hand, and wild animals that venture into the city on the other. In both cases, these women and these animals, immigrated in an environment which is a priori foreign to them, manage not only to survive, but transfigure their new environment by irradiating it with their mysterious and timeless grace.
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