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The Analysis,
2009
Hélène Hubert
Photography : digital, archival pigment print
90 x 60 cm 35.4 x 23.6 inch
€1,050
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About the artwork
Type
Numbered and limited to 30 copies
30 copies available
Signature
Signed artwork
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Dimensions cm • inch
90 x 60 cm 35.4 x 23.6 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: France
Limited Edition of 30 including:
60x40cm : 15 Editions
90x60cm : 10 Editions
120x80cm : 5 Editions
Please contact us for more details / for prices
Storybook Mirrors: Architectures
When visiting deserted places, I stage life in abandonment. Spaces have been changed over time and emptiness is just an illusion. Each component or geometry has a unique meaning that resonates with its history.
Read more
60x40cm : 15 Editions
90x60cm : 10 Editions
120x80cm : 5 Editions
Please contact us for more details / for prices
Storybook Mirrors: Architectures
When visiting deserted places, I stage life in abandonment. Spaces have been changed over time and emptiness is just an illusion. Each component or geometry has a unique meaning that resonates with its history.
About the seller
Professional art gallery • France
Artsper seller since 2021
Vetted Seller
This seller rewards your purchases of multiple artworks
Imagine it at home
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Presentation
The common – or better said, golden - thread of Hélène Hubert’s photographic work is the energy that animates still lives. She captures singular light impressions which disclose this blurred zone between the object, its reflection and what it represents. The artist searches all the spaces in which the objective reality reveals a secret which might not appear at first sight. Above all, it is the vibration fields of an object and / or a situation that invites the photographer to trigger her artistic sense through a lightning flash, an impulse or an emotion.
Tuned up to this frequency in her now virtual darkroom, Hélène Hubert dusts her photographic file with the tip of her stylus bringing out the infinitely small, the infinitely visible, “the one visible “- literally - « l’un visible » as defined by the psychoanalyst Jacques Lacan on the existence of three levels, the Real, the Symbolic and the Imaginary.
Her images, reveal the evanescent manifestations of the internal reality of her subjects, focusing to render this perceptive intensity, all connected within the same material: life.
Freelance photographer and author, Hélène Hubert studied Fine Art photography in Maine, USA in the early 1980s at the Art Institute of Boston. This is how the artist discovered Ansel Adams Zone-System and implemented it to her photographic practice and work philosophy. As early as 1998, the photographer fitted her view-camera with digital backs replacing the 4”x5” analogic film holder. Hélène Hubert has been using digital cameras ever since, positioning digital photography as a mirror of all the energies that circulate beyond human vision.
Her skill for highlighting everyday objects has asserted itself over the years: silhouettes, shadows and allusions of presence suggest the existence of parallel worlds where distortion, dreamlike and dual meaning prevail. At the heart of Hélène Hubert's work, the object becomes a subject gifted with a life of its own, permeable to sight. Freed from the constraints of documenting reality, the photographer is caught by the need to freeze impermanence, in all passageways or moments of transition, to experiment and give us the opportunity to see the multiple parallel worlds that we cross.
Her works are already part of art collections in Europe and the United States.
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