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Sebensee 2,
2018
Peter Neusser
Photography : color edition, HD print, fine art print
122 x 87 cm 48 x 34.3 inch
$3,744
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About the artwork
Type
Numbered and limited to 5 copies
1 copy available
Signature
Signed artwork
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Dimensions cm • inch
122 x 87 cm 48 x 34.3 inch Height x Width x Depth
Framing
Not framed
Artwork sold in perfect condition
Artwork location: Germany
The major strength of photography as well as its major weakness is that it captures only a single instant: a certain pattern in a certain section under certain lighting conditions, taken over a certain period of time. Sixtieth of a second. Click on. Reality always shows more than a picture - left, right, above and below the chosen section. In a good photograph the invisible does not matter, in a shot it focuses reality on the character of a person, a building, a landscape. It's like a miracle: without delivering an entire image, the created image is always complete. It is of course essential that the motif can be photographed.
It is essential that the character of the patterns can be concentrated in a single instant. It is essential that the photographer presses the shutter button at the right time. All these prerequisites restrict the medium of photography and constitute its major weakness. A little too late or too early, a little too much to the left or to the right, a little too light or too dark, a little too big or too small and instead of a self-explanatory picture the result would only be a chance missed . Reality is fleeting. Peter Neusser solves this photography dilemma with his art. His “multiples” reconcile photography and reality. Instead of trying to portray reality, he simply captures it with his multiple exposures. It's an advantage, of course, that Peter Neusser is one of the few photographers who not only has an eye for the right motive and is able to think graphically, but he also has a complete technical knowledge of his medium.
When photographing multiples, it is important to listen to your artistic soul and to be able to work with mathematical precision, just like Peter Neusser does. And as a result, he manages to do something that practically cannot be done: his works, always created using analog photography, capture not just a single moment, but stories and experiences.
Read more
It is essential that the character of the patterns can be concentrated in a single instant. It is essential that the photographer presses the shutter button at the right time. All these prerequisites restrict the medium of photography and constitute its major weakness. A little too late or too early, a little too much to the left or to the right, a little too light or too dark, a little too big or too small and instead of a self-explanatory picture the result would only be a chance missed . Reality is fleeting. Peter Neusser solves this photography dilemma with his art. His “multiples” reconcile photography and reality. Instead of trying to portray reality, he simply captures it with his multiple exposures. It's an advantage, of course, that Peter Neusser is one of the few photographers who not only has an eye for the right motive and is able to think graphically, but he also has a complete technical knowledge of his medium.
When photographing multiples, it is important to listen to your artistic soul and to be able to work with mathematical precision, just like Peter Neusser does. And as a result, he manages to do something that practically cannot be done: his works, always created using analog photography, capture not just a single moment, but stories and experiences.
About the seller
PHOTO EDITION BERLIN • Germany
Artsper seller since 2015
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Presentation
Born on October 4th, 1966 in Brno, Czech Republic, lives and works as a freelance photographer in Munich.
1990-1993 Study of Photography at the "Staatliche Fachakademie für Fotodesign", Munich
1994-1996 Assistence for Ernestine Ruben, Princeton, USA
1998 "Promotion Prize for Photography of the City of Munich", Munich
1999 Scholarship "Residence d'artistes du Domaine d'Abbadia", Hendaye, France
2001 + 2002 Participation at "Artlink 2001" and guidance at "Artlink 2002",
artists´ projects organized by the Goethe-Institute, Colombo (LK)
2000-2005 Participation in the Photographic Project "Theresienhöhe", Munich
2004 + 2005 Nomination Bavarian State Prize for Fine Arts, Munich (DE)
2011 + 2012 Nomination Prix Pictet, Geneva (CH)
Single Exhibitions (selection)
2010 "Erlkönig | Prototypes", Project on the Autostadt Wolfsburg,
Berlinische Galerie, Berlin
2007 | 2008 "STRATA", J.J. Heckenhauer Gallery, Berlin
2004 "Urban Perspectives", photographs 1995-2004, Photo Museum in the Münchner Stadtmuseum, Munich
2002 "Multiples", Huber Goueffon Gallery, Munich
Group Exhibitions (selection)
2013 ECM-Axhibition "Think Of Your Ears As Eyes", Area Arts Center, Seoul, South Korea
2011-2012 "Broadside - In Focus: Space", Villa Merkel, Esslingen (DE)
2008 "Strata of Power", 3rd European Month of Photography Berlin, Uferhallen, Berlin
2007 2nd Photo Festival Mannheim-Ludwigshafen-Heidelberg
2005 | 2006 "The view of Dresden. The Frauenkirche and the development of the Dresden city silhouette", Staatliche Kunstsammlungen Dresden
2004 | 2005 "Shanghai Surprise", thirteen from Lorraine, Munich
2000 "Apprenticeship years - light years. The Munich Photo School 1900-2000",
Photo museum in the Munich City Museum
1999 "Another view", Espace Photographique Contretype, Brussels
1998 "Transparencies", House of Art, Munich
1994 "Views - Photographic Images of Munich Artists", Städtische
Gallery in the Lenbachhaus, Munich
Collections
Allianz Art Collection, Munich
Art collection of the German Bundestag, Berlin
Photo museum in the Münchner Stadtmuseum, Munich
Bavarian State Painting Collection, Pinakothek der Moderne, Munich
Daimler art possession, Stuttgart
Bibliothèque Nationale de France, Paris
Cifo-Cisneros Fontanals Art Foundation, Miami
KPMG art collection, Munich
Michael Schupmann Collection, Söhrewald
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