Chan Marshall / Cat Power, 1996
Renaud Monfourny

Photography : silver print, black & white edition

40 x 30 cm 15.7 x 11.8 inch

CHF 1,466

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About the artwork

Type

Numbered and limited to 10 copies

1 copy available

Signature

Signed artwork

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Dimensions cm inch

40 x 30 cm 15.7 x 11.8 inch Height x Width x Depth

Framing

Not framed


Tags

Portrait

Black and white

Singers

Smoke

Punk

Rock 'n' roll

Vintage Cars

Grey

Artwork sold in perfect condition

Artwork location: France

For 30 years, photographer Renaud Monfourny, co-founder of Les Inrockuptibles, has captured the unwavering strength of female rock stars, diving into their electric gazes and sublimating them in powerful, high-contrast black and white.

Patti Smith, Bjork, Kim Gordon, PJ Harvey, Nico, Courtney Love, Poison Ivy and many others… The photographer has selected for this exhibition around twenty of his most beautiful silver portraits of legendary musicians he met during his career.

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About the seller

Galerie Bessaud • France

Vetted Seller

This seller rewards your purchases of multiple artworks


Imagine it at home

Renaud Monfourny, Chan Marshall / Cat Power
France  • 1962

Presentation

Renaud Monfourny was born in 1962 in Reims and spent his childhood in the countryside. As a teenager, he began photography in a photo club in Soissons. His first camera was his father's Voigtlander, quickly followed by a Lubitel, which turned out to be his first contact with the 6x6 format that he would later cherish so much.
He left for Belgium to study photography at the Institut Communal des Arts Décoratifs et Industriels. A school that, at the time, had a higher section in photography and cinema, mainly technical. At the same time, he taught himself the history of art and photography. Back in France, he taught photography at the Ecole d'Architecture de Paris-Conflans, he was just 21 years old, the age of many of his students, and settled in Paris.

He participated in the creation of several newspapers, one of which would continue, , and he began to publish his photographs in the press. His first editorial pride was the illustration, with a photographic essay made at the Cité des 4000 in La Courneuve, of a conversation between François Mitterrand and Marguerite Duras in Michel Butel's fabulous monthly. Although he would only photograph President Mitterrand surreptitiously in 1987, in 1990 he would spend two afternoons at Marguerite Duras's apartment on rue Saint Benoît, to conduct an interview and portraits published in , which had then become a leading newspaper. He also wrote there under the pseudonyms Bates and Lise Deleuze.

He will now devote himself to the newspaper, which became a weekly in 1995, where he continues to play an editorial role that will allow him to share his tastes with a readership that is becoming increasingly loyal.
Known for his portraits, he imprints his sensitivity on the rest of his visual artistic production less known to the general public: nudes, landscapes, dead animals, still lifes, abstractions...

Since 2009, through a blog hosted on the Inrocks website, he has echoed cultural news by photographing its actors, emerging or confirmed. A new media, a new medium: he has transposed his writing into digital and color, with more than 2,200 photos published to date. At the same time, he continues his film activity in black and white in 6x6 format.

Allen Ginsberg, William Burroughs, Paul Bowles, Jean-Luc Godard, Björk, Serge Gainsbourg, Pierre Soulages, Leonard Cohen, Tim Burton, Maurice Pialat, Woody Allen, Lou Reed, Clint Eastwood, Patti Smith, Kurt Cobain, Paul Auster, Gilbert and George, Morrissey, Marguerite Duras, Leonard Cohen, Gerhard Richter, Catherine Deneuve, Michel Houellebecq, Quentin Tarantino, Neil Young, Isabella Rossellini, the list is endless but the pleasure of encounters is always renewed.

His photographs have been used for a large number of book and record covers. His works are present in the homes of private collectors in France and abroad.
His photographs have been used for a large number of book and record covers. His works are present among private collectors in France and abroad.

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