The House That Burns Every Day
Marina Gadonneix
Photography - 28 x 35 x 0.01 cm Photography - 11 x 13.8 x 0 inch
€135
Phénomènes, Untitled (Volcano eruption #3),
2019
Marina Gadonneix
Photography : archival pigment print
29 x 22.4 x 0.2 cm 11.4 x 8.8 x 0.1 inch
€140
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About the artwork
Type
Numbered and limited to 33 copies
14 copies available
Signature
Signed artwork
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Dimensions cm • inch
29 x 22.4 x 0.2 cm 11.4 x 8.8 x 0.1 inch Height x Width x Depth
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: France
"Untitled (Volcanic Eruption #3)
Edition of 33 signed and numbered on a label
Print coming with the book Phénomènes published by RVB BOOKS.
Le travail de Marina Gadoneix est à mi-chemin entre réalité et fiction. Il rend compte de la porosité entre le document et la fiction, la simulation et l’illusion, là où l’esthétique est à la croisée de la photographie de paysage et de la photographie scientifique.
La découverte d’une image du scientifique Kristan Birkeland, reproduisant, au début du 20 ème siècle, une aurore boréale dans son laboratoire est le point de départ du projet Phénomènes. Elle a conduit l’artiste à s’interroger sur les modes de fabrication de phénomènes à la fois scientifiques et énigmatiques dans le cadre de laboratoires, ainsi qu’à en questionner la mécanique. Le laboratoire est ici envisagé comme un théâtre du monde où se rejoueraient simultanément l’histoire universelle et l’expérience de la pensée. Un lieu d’exploration et de représentation des choses, où certains des paramètres imprévisibles qui régissent le monde (tornade, trou noir, tremblement de terre...) semblent pouvoir être manipulés, archivés, reproduits, conceptualisés mais aussi poussés à leurs limites.
Read more
Edition of 33 signed and numbered on a label
Print coming with the book Phénomènes published by RVB BOOKS.
Le travail de Marina Gadoneix est à mi-chemin entre réalité et fiction. Il rend compte de la porosité entre le document et la fiction, la simulation et l’illusion, là où l’esthétique est à la croisée de la photographie de paysage et de la photographie scientifique.
La découverte d’une image du scientifique Kristan Birkeland, reproduisant, au début du 20 ème siècle, une aurore boréale dans son laboratoire est le point de départ du projet Phénomènes. Elle a conduit l’artiste à s’interroger sur les modes de fabrication de phénomènes à la fois scientifiques et énigmatiques dans le cadre de laboratoires, ainsi qu’à en questionner la mécanique. Le laboratoire est ici envisagé comme un théâtre du monde où se rejoueraient simultanément l’histoire universelle et l’expérience de la pensée. Un lieu d’exploration et de représentation des choses, où certains des paramètres imprévisibles qui régissent le monde (tornade, trou noir, tremblement de terre...) semblent pouvoir être manipulés, archivés, reproduits, conceptualisés mais aussi poussés à leurs limites.
About the seller
Professional art gallery • France
Artsper seller since 2019
Vetted Seller
This seller rewards your purchases of multiple artworks
Imagine it at home
Discover more by the artist
Phénomènes, Untitled (Volcano eruption #6)
Marina Gadonneix
Photography - 29 x 22.4 x 0.2 cm Photography - 11.4 x 8.8 x 0.1 inch
€140
Phénomènes, Untitled (volcanic eruption #2)
Marina Gadonneix
Photography - 29 x 22.4 x 0.2 cm Photography - 11.4 x 8.8 x 0.1 inch
€140
Phénomènes, Untitled (Volcano eruption #7)
Marina Gadonneix
Photography - 29 x 22.4 x 0.2 cm Photography - 11.4 x 8.8 x 0.1 inch
€140
Phénomènes, Untitled (Volcano eruption #4)
Marina Gadonneix
Photography - 29 x 22.4 x 0.2 cm Photography - 11.4 x 8.8 x 0.1 inch
€140
Presentation
Marina Gadonneix is a french artist graduated from the national school of photography in Arles. Her work weaves a complex link between documentary and fiction through photographs of places given over to temporary neglect. In each of the series , the artist explores the startling transition of a rugged territory to a fantastical image, of a form of evidence of reality to its most metaphorical mental construction.
Marina Gadonneix’s photographs play with the clash of document, simulation and fiction. Deserted places and interiors create a rather disturbing atmosphere in which the line between real objects and fictitious incidents becomes blurred. Her work has appeared in solo shows and group exhibitions in France as well as internationally such as Phillips de Pury (New York), Centre photographique d'ile de France (Pontault Combault), Rencontres internationales de la photographie (Arles), la Box (Bourges), Kunsthalle (Tubingen).In 2006 she was awarded with the Prix HSBC for Photography.
Read more
Marina Gadonneix’s photographs play with the clash of document, simulation and fiction. Deserted places and interiors create a rather disturbing atmosphere in which the line between real objects and fictitious incidents becomes blurred. Her work has appeared in solo shows and group exhibitions in France as well as internationally such as Phillips de Pury (New York), Centre photographique d'ile de France (Pontault Combault), Rencontres internationales de la photographie (Arles), la Box (Bourges), Kunsthalle (Tubingen).In 2006 she was awarded with the Prix HSBC for Photography.
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