La chiromancienne,
1986
Pierre Klossowski
Print : lithography, etching
100 x 152 cm 39.4 x 59.8 inch
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About the artwork
Type
Numbered and limited to 99 copies
Signature
Not Signed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Medium
Dimensions cm • inch
100 x 152 cm 39.4 x 59.8 inch Height x Width x Depth
Support
Framing
Not framed
Artwork sold in perfect condition
Artwork location: France
Set of two original lithographs signed and numbered each 70/99
Dimensions of each work: 100 x 76 cm
Print in 99 copies on paper
State: a short tear in the margin at the bottom right of the left board, does not affect the subject
A short tear in the margin at the bottom left of the right board, does not affect the subject
Very good condition
Read more
Dimensions of each work: 100 x 76 cm
Print in 99 copies on paper
State: a short tear in the margin at the bottom right of the left board, does not affect the subject
A short tear in the margin at the bottom left of the right board, does not affect the subject
Very good condition
Imagine it at home
Presentation
Born in Paris, Pierre Klossowski was the older brother of the artist Balthazar Klossowski, better known as Balthus. Their parents were the art historian Erich Klossowski and the painter Baladine Klossowska. His German-educated father came from a family supposedly belonging to the former Polish petty nobility (drobna szlachta) and bearing the Rola coat of arms. His mother, Baladine Klossowska, was born as Elisabeth Dorothea Spiro in Breslau, Prussia (now Wroc?aw, Poland).
He was responsible for a new publication of The 120 Days of Sodom & Other Writings by Marquis de Sade in 1964.
When he was 18, Pierre was André Gide's secretary and worked on the drafts of Les faux-monnayeurs for him.
Pierre Klossowski wrote full length volumes on the Marquis de Sade and Friedrich Nietzsche, a number of essays on literary and philosophical figures, and five novels. Roberte Ce Soir (Roberte in the Evening) provoked controversy due to its graphic depiction of sexuality. He translated several important texts (by Virgil, Ludwig Wittgenstein, Martin Heidegger, Friedrich Hölderlin, Franz Kafka, Nietzsche, and Walter Benjamin) into French, worked on films and was also an artist, illustrating many of the scenes from his novels. Klossowski participated in most issues of George Bataille's review, Acéphale, in the late 1930s.
His 1969 book, Nietzsche and the Vicious Circle, greatly influenced French philosophers such as Michel Foucault, Gilles Deleuze, and Jean-François Lyotard.
Read more
He was responsible for a new publication of The 120 Days of Sodom & Other Writings by Marquis de Sade in 1964.
When he was 18, Pierre was André Gide's secretary and worked on the drafts of Les faux-monnayeurs for him.
Pierre Klossowski wrote full length volumes on the Marquis de Sade and Friedrich Nietzsche, a number of essays on literary and philosophical figures, and five novels. Roberte Ce Soir (Roberte in the Evening) provoked controversy due to its graphic depiction of sexuality. He translated several important texts (by Virgil, Ludwig Wittgenstein, Martin Heidegger, Friedrich Hölderlin, Franz Kafka, Nietzsche, and Walter Benjamin) into French, worked on films and was also an artist, illustrating many of the scenes from his novels. Klossowski participated in most issues of George Bataille's review, Acéphale, in the late 1930s.
His 1969 book, Nietzsche and the Vicious Circle, greatly influenced French philosophers such as Michel Foucault, Gilles Deleuze, and Jean-François Lyotard.
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