
N°1312 - from the collection Neveshteh,
2021
Mehdi Mirbagheri
Print : digital art
100 x 100 x 3 cm 39.4 x 39.4 x 1.2 inch
Second NOT DISPLAYED BLUR TEXT
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About the artwork
Type
Numbered and limited to 3 copies
1 copy available
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Medium
Dimensions cm • inch
100 x 100 x 3 cm 39.4 x 39.4 x 1.2 inch Height x Width x Depth
Support
Framing
Black steel frame with glass
Artwork dimensions including frame
102 x 102 x 4 cm 40.2 x 40.2 x 1.6 inch
Tags
Artwork sold in perfect condition
Artwork location: France
From his first years of training he chose to turn to new media and the mixture of various techniques (photo, graphics, painting, collage) to develop his own visual identity, trying to move on to different artistic experiences of video installations. and performance.
From 2008 he turned to Pop Art by creating works using the pictorial codes inherited from Lichtenstein which he mixed with Arabic and Persian calligraphy. The success was immediate and opened the doors to the Western market. Attracted by a raw, direct and refined art, carrying clear messages, he considers that it is really the technique that generates the characteristic contrasts of his work. By shaking up visual codes, he creates new harmonies that underline the deep link existing between form and substance.
The series “The Peeping Tom” is about the voyeuristic tendency specific to all humans (whatever their gender or their geographical context) but generally repressed and publicly criticized. When faced with an erotic scene, a person's first reaction is to make a sound of excitement that differs in intensity depending on their culture and social personality. Although this reaction is found in the majority of people, it is not necessarily expressed in audible language and can also be expressed in the form of internal dialogue.
This series seeks to unveil this hidden language and exhibit it in the form of pictorial expression. In these works, Farsi calligraphy and erotic Persian onomatopoeias merge with images of sensual bodies. However, this association would not be complete without public interaction.
If these works, in close relation with the Persian language, can sometimes be difficult to decipher for a foreign public, he relies however on their strong symbolism and plays with humor on the ambiguity and the gap which can exist between the Western fantasies and the reality of Iran. The highlighting of cultural contrasts is therefore all the stronger here as Mehdi Mirbagheri can now confront his works in the eyes of European viewers and enrich his creative process with these new reactions.
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Professional art gallery • France
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Presentation
He was still studying when he chose to turn towards new mediums and the mix various techniques such as photo, graphic design, painting and collage, in order to develop his own visual identity, on the way he tried out various artistic experiences like video installations and performance.
A fan of Roy Lichtenstein, he gradually turned towards pop art, and leaned towards pictorial codes of the Arabic and Persian calligraphy movement. His creations shake up visual codes, and forge links with aesthetics and true meaning. His art is much more natural and pure.
In his "Peeping Tom" series , Arabic calligraphy and Persian erotic onomatopoeia are combined with sensual body images. He is well aware that the Westerners will have a hard time understanding the meaning, therefore the artist humorously plays on the ambiguity and the discrepancy which exists between Western fantasies and the reality of Iran. Mirbagheri highlights these cultural contrasts and therefore can portray his work to Western spectators and enrich his creative process through these new reactions.
The artist currently exhibits in Iran and has done several exhibitions in USA.
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