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Peano Curves,
1991
Bruno Munari
Print : Screen Print
70 x 70 x 0.2 cm 27.6 x 27.6 x 0.1 inch
$740
One of the last works available by this artist
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About the artwork
Type
Numbered and limited to 100 copies
1 copy available
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Medium
Dimensions cm • inch
70 x 70 x 0.2 cm 27.6 x 27.6 x 0.1 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: Italy
Peano Curves is a screen print made by Bruno Munari in 1991. Hand signed and numbered in pencil by the artist in the lower margin. Edition of 17/100.
Bruno Munari (October 24, 1907 in Milan - September 30, 1998 in Milan) was an Italian artist, designer and inventor who contributed to the fundamentals of many fields of visual arts (painting, sculpture, cinema, industrial design, graphic design) in modernism , futurism and concrete art, and in the non-visual arts (literature, poetry) with his research on play, didactic method, movement, tactile learning, kinesthetic learning and creativity.
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Bruno Munari (October 24, 1907 in Milan - September 30, 1998 in Milan) was an Italian artist, designer and inventor who contributed to the fundamentals of many fields of visual arts (painting, sculpture, cinema, industrial design, graphic design) in modernism , futurism and concrete art, and in the non-visual arts (literature, poetry) with his research on play, didactic method, movement, tactile learning, kinesthetic learning and creativity.
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Nella Nebbia di Milano
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Presentation
Bruno Munari (October 24, 1907, Milan – September 30, 1998, Milan) was an Italian artist, designer, and inventor who contributed fundamentals to many fields of visual arts (painting, sculpture, film, industrial design, graphic design) in modernism, futurism, and concrete art, and in non visual arts (literature, poetry) with his research on games, didactic method, movement, tactile learning, kinesthetic learning, and creativity.
Early life
Bruno Munari was born in Milan but spent his childhood and teenage years in Badia Polesine. In 1925 he returned to Milan where he started to work with his uncle who was an engineer. In 1927, he started to follow Marinetti and the Futurist movement, displaying his work in many exhibitions. Three years later he associated with Riccardo Castagnedi (Ricas), with whom he worked as a graphic designer until 1938. During a trip to Paris, in 1933, he met Louis Aragon and André Breton. From 1938 to September 1943 he worked as a press graphic designer for Mondadori, and as art director of Tempo Magazine and Grazia, two magazines owned by Mondadori. At the same time he began designing books for children, originally created for his son Alberto
Futurism
Bruno Munari joined the 'Second' Italian Futurist movement in Italy led by Filippo Tommaso Marinetti in the late 1920s. During this period, Munari contributed collages to Italian magazines, some of them highly propagandist, and created sculptural works which would unfold in the coming decades including his useless machines, and his abstract-geometrical works. After World War II Munari disassociated himself with Italian Futurism because of its proto-Fascist connotations.
Later life
In 1948, Munari, Gillo Dorfles, Gianni Monnet and Atanasio Soldati, founded Movimento Arte Concreta[1] (MAC), the Italian movement for concrete art. During the 1940s and 1950s, Munari produced many objects for the Italian design industry, including light fixtures, ash trays, televisions, espresso machines, and toys among other objects.
A white marble gravestone on the wall of a chapel, with only the name and dates of birth and death inscribed
Munari's grave at the Cimitero Monumentale in Milan, Italy, in 2015
In his later life, Munari, worried by the incorrect perception of his artistic work, which is still confused with the other genres of his activity (didactics, design, graphics), selected art historian Miroslava Hajek as curator of a selection of his most important works in 1969. This collection, structured chronologically, shows his continuous creativity, thematic coherence and the evolution of his aesthetic philosophy throughout his artistic life.
Munari was also a significant contributor in the field of children's books and toys, later in his life, though he had been producing books for children since the 1930s. He used textured, tactile surfaces and cut-outs to create books that teach about touch, movement, and colour through kinesthetic learning.
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