Fragment de scie rouillée
Yuri Kuper
Painting - 200 x 200 x 4 cm Painting - 78.7 x 78.7 x 1.6 inch
€15,000
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Brush with blue Fabric (study); Brush n°2 with pink Fabric (study),
Circa 2000
Yuri Kuper
Print : lithography
83 x 79 x 1 cm 32.7 x 31.1 x 0.4 inch
€500
One of the last works available by this artist
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About the artwork
Type
Numbered and limited to 60 copies
1 copy available
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Medium
Dimensions cm • inch
83 x 79 x 1 cm 32.7 x 31.1 x 0.4 inch Height x Width x Depth
Support
Framing
White frame with plexiglass
Artwork dimensions including frame
83.1 x 79.1 x 1.1 cm 32.7 x 31.1 x 0.4 inch
Tags
Artwork sold in perfect condition
Artwork location: France
Born in Moscow (USSR) in 1940, Yuri Kuper studied at the Academy of Art in Moscow. Major artist, painter, sculptor, decorator, Yuri Kuper - member of the Memoirs group - works around the idea of memory (individual and collective) and is interested in everyday objects - brushes, dishes, tools, etc. - which he presents as isolated vestiges of an ancient world. Yuri Kuper exhibits in Paris, New York, Berlin, Tel-Aviv, Moscow, Brussels, Tokyo. On the occasion of the reopening of the BoshoÏ in 2007, Yuri Kuper created the costumes and sets for Mussorgsky's opera "Boris Godounov".
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About the seller
Area corp • France
Artsper seller since 2016
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Presentation
Born in Moscow (USSR) in 1940, Yuri Kuper studied at the Moscow Art Academy. Major artist, painter, sculptor, decorator, Yuri Kuper - member of the Mémoires group - works around the idea of memory (individual and collective) and is interested in objects of everyday life - brushes, dishes, tools, etc. - which he presents as isolated vestiges of an ancient world. Yuri Kuper exhibits in Paris, New York, Berlin, Tel Aviv, Moscow, Brussels, Tokyo. On the occasion of the reopening of BochoÏ in 2007, Yuri Kuper created the costumes and sets for the opera of "Boris Godunov" by Mussorgsky. “There should be no intermediary between the viewer and the painting. The painting must hypnotize, in the same way that the surface of the thing contemplated hypnotized the painter ”. Yuri Kuper “Yuri Kuper is fascinating when he talks about his still lifes. He describes them entirely in technical terms. Any old object, in his most recent works, a brush, a palette knife, two small paint containers, one rectangular, the other square, can serve as a "theme"; everything else is surface rendered with breathtaking care, with extreme finesse. It's a familiar problem, the old problem of creating the image: how to build the illusion of a three-dimensional figure on a flat background, so that the background supports that illusion, instead of destroying it. This is a subtle task, and Kuper, who is a master of the art, does it better than anyone. Its finished object is highlighted, even when the surface merges with the apparently infinite background. Thus the surface of the object sometimes appears as a magnified detail of the background, especially since the painted objects are Kuper's working instruments, and they are covered with paint. In fact, they seem to emanate from the bottom, and this projection in space gives them a certain depth. Kuper is a modernist painter who walks along the border between gestural abstraction and geometric abstraction. »Donald Kuspit
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