
Bouquet d'iris, lithographie originale,
Circa 2013
Claude Gaveau
Print : lithography, engraving
76 x 56 x 0.05 cm 29.9 x 22 x 0 inch
Second NOT DISPLAYED BLUR TEXT
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About the artwork
Type
Numbered and limited to 175 copies
3 copies available
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from Editions l'Estampe à Strasbourg
Invoice from the gallery
Medium
Dimensions cm • inch
76 x 56 x 0.05 cm 29.9 x 22 x 0 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: France
original lithograph by Claude Gaveau, French painter
limited edition print, signed and numbered by the artist
He has produced numerous lithographs since 1973 as well as Aubusson Tapestries. From California to Thailand, from Morocco to Mexico, from Canada to Reunion Island or from Japan to Greece, Gaveau has always been in search of lights, colors and new atmospheres.
Passionate about music, it was to painting that Claude Gaveau devoted the last fifty years of his life. He created works rich in color, in which a harmony tinged with the unreal shines through.
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Presentation
Influenced by great painters such as Cézanne, Braque and Duffy, Gaveau gets inspired as well by music and lyricism. His talent was quickly recognized, in 1963 he won his first prize and obtained a scholarship from the Academy of Antwerp which allowed him to study Flemish painting in Brussels. In 1965, with only 25 years, he made his first solo exhibition at the Angle Aigu Gallery in Paris. His career took a real turn in 1968 when he was nominated for the "la Crtique Parrainé" Award by the Saint Placide Gallery in Paris. A recurrent traveler, the landscapes he observes all around the world allow him to broaden his artistic pallette.
Gaveau's work is internationally recognized for his nudes and his still life compositions. His bright palette of colors, gives the impression of being covered with silk, this in turn gives a certain subtlety to his work. His art is often described as "symphonic" since the elements he uses in each one of his compositions seem perfectly balanced, not real without being abstract, this gives a mysterious and singular aspect to his pieces, which makes them easily identifiable.
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