
Yokaï de la rive gauche,
2022
Nicolas de Crécy
Print : digigraphy
40 x 30 x 0.1 cm 15.7 x 11.8 x 0 inch
Second NOT DISPLAYED BLUR TEXT
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About the artwork
Type
Numbered and limited to 20 copies
1 copy available
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from Éditions RLD
Invoice from the gallery
Medium
Dimensions cm • inch
40 x 30 x 0.1 cm 15.7 x 11.8 x 0 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: France
Original digitography by Nicolas de Crécy.
Printed on the RLD workshop presses.
Etching Rag paper 310 g format 40 x 30 cm.
The paper and inks used for printing are labeled Digigraphie
20 copies numbered and signed by the artist.
Edition produced for the exhibition “We don't bubble!" at the Métairie Bruyère summer 2022. RLD publishers workshop 2022.
The proof number on the photograph may differ from that of the copy delivered.
Print sold without frame.
About the seller
ÉDITIONS R.L.D. • France
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Presentation
Born in 1966 in Lyons. Lives and works in Paris.
He was part of the first promotion of the Ecole Supérieure de l'Image d'Angoulême, from which he graduated in 1987. He first worked for the Disney studios in Montreuil before publishing his first book, Foligatto in 1991. Acclaimed unanimously by critics, this work was immediately followed by the Le Bibendum Céleste trilogy and the Léon La Came series with Sylvain Chomet on the screenplay, for which he won the Alph'Art for Best Album at the Angoulême festival in 1998.
Each new publication is an opportunity for him to explore new avenues and go further in thinking about the narrative and graphic codes of the 9th Art. He will go so far as to produce the autobiography of a drawing with Journal d'un Fantôme. The Louvre Museum will call on him to create a splendid mise en abîme of the museum and archaeological research, with Glacial Period, the plates of which will be exhibited at the Louvre. In 2009 before being presented in Taiwan or even in Tokyo. He was a laureate in 2008 of the Villa Kujoyama residency program in Kyoto. In 2015, he was one of the first European artists to be approached by the prestigious manga magazine Shueisha to produce a manga, La République du Catch. In 2016, he obtained his first retrospective at the Center d'Art Le Quartier in Quimper. This exhibition was also presented during the Pulp Festival at the Ferme du Buisson in 2017. In 2018 he published his first novel with Albin Michel Jeunesse editions Les amours d'unphantom en temps de guerre", for which he won the Friday prize. In 2019 appears VisaTransit, autobiographical comic strip in 3 volumes, published by Gallimard. In 2023, he exhibited his work related to architecture at the Thomas Henry Museum of Fine Arts in Cherbourg, as part of the 11th biennial of the 9th art.
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