Holding Hands VI,
2023
Katherine Bradford
Print : monotype
60 x 48.57 cm 23.6 x 19.1 inch
$9,864
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from JRP|Editions
Invoice from the gallery
Dimensions cm • inch
60 x 48.57 cm 23.6 x 19.1 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: France
For her first occasion working with the monotype medium, Katherine Bradford has created three series of unique prints: , and . Bradford is singularly well-suited to making monotypes, as a painter with an intuitive sense of color, bold mark-making, and allusive imagery that transfer from plate to paper with depth and intensity. These series show her spontaneous thinking and making in service to her constant themes of intimacy, water, and risk-taking.
Imagine it at home
Discover more by the artist
Seaside, 1 Woman, 2 Men
Katherine Bradford
Print - 53.3 x 58.4 x 1.27 cm Print - 21 x 23 x 0.5 inch
Sold
Presentation
Katherine Bradford is best known for her paintings of ships and of swimmers that are inspired by artists such as Marsden Hartley, Milton Avery and Alex Katz. Her work has been the subject of one person shows at the Bowdoin College Museum of Art (2013) and at the Modern Museum of Fort Worth Texas (2017) and is scheduled for an upcoming survey exhibit at the Portland Museum of Art (Maine) which will travel to several venues.
Bradford was born in 1942 in New York City and attended Byrn Mawr College (B.A.) and Purchase College (MFA). She is represented in New York by CANADA, in Berlin by Phillipp Haverkampf, in Portland, Oregon by Adams and Ollman, in Paris and London by Campoli Presti and in Maine by Caldbeck Gallery.
In 2011 she received a Guggenheim Fellowship and a Joan Mitchel Foundation Award in 2012. Other awards include a Pollock Krasner Grant and two awards from the American Academy of Arts and Letters.
Bradford was a resident faculty member at the Skowhegan School of Painting and Sculpture (2009) and in 2016-2017 was Senior critic at the Yale School of Art in New Haven.
Her work is in the collections of the Metropolitan Museum of Art, the Brooklyn Museum, the Portland Museum (Maine and Oregon), the Dallas Museum of Art and the Menil Collection in Houston Texas
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