Farewell to Freedom, 2014
Shepard Fairey (Obey)

Print : digigraphy

61 x 46 cm 24 x 18.1 inch

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About the artwork

Type

Numbered and limited to 500 copies

Signature

Hand-signed by artist

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Dimensions cm inch

61 x 46 cm 24 x 18.1 inch Height x Width x Depth

Framing

Not framed


Tags

Artwork sold in perfect condition

Artwork location: France

Work signed by the artist, and numbered 188 by 500.
The print is in excellent condition.

I have been a fan of The Colbert Report since early in it’s run. I really love the character Stephen created, because he brilliantly illuminates and satirizes the techniques of cable news pundits while simultaneously using the aggressive nature of the character to ask tough questions of guests across the political and cultural spectrum. I’m in awe of Colbert’s intelligence and quick wit.

I’ve had the honor of being a guest on The Colbert Report a couple of times and my artwork has been used or discussed on the show a few other times. Stephen is such a formidable interviewer, that I almost lost my nerve to go on his show when I was first asked in January 2009. Right before I went on the show, I found out that Stephen and I both went to the same uptight and elite prep school in Charleston, S.C. I felt that our shared experience at Porter-Gaud, a school where the key to survival was being able to verbally and intellectually eviscerate the enemy, made me more prepared for the interview. I hated Porter-Gaud, sought refuge in art, skateboarding, and punk music, and left the school after 9th grade, while Stephen obviously thrived and stayed through graduation. Regardless, I thought I did pretty well in my interview.

When Stephen asked me if I’d be one of the guests on his farewell show, I was incredibly flattered, but when I was also asked to do a graphic for the final episode, I was humbled. The pressure to do something strong for the FINAL Colbert episode was daunting. With Stephen everything has to be over-the-top, hyperbolic, life-imitates-art or art-imitates-life (who knows which?) ego-driven absurdity, so we conceived an image that would aspire to the grandeur of his final skit. Stephen liked the image I created enough to not only incorporate it into the show, but to allow me to make a limited edition of art prints.

They will be available TODAY! I’m grateful to Stephen for his inclusion of me and my work on his show, but I’d mostly like to thank him for being a supreme leader in the war against bullshit! Even in character, it takes incredible smarts and courage to maintain the rigor of his show and bring the heat to George W. Bush at the White House Correspondents’ Dinner. The Colbert Report will be missed, but I’m sure that with his fierce intelligence, Stephen will bring a new dimension to the Late Show. I look forward to it.
-Shepard
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About the seller

CORPS ET AME GALLERY • France

Artsper seller since 2016

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Shepard Fairey (Obey), Farewell to Freedom

Presentation

Shepard Fairey, aka Obey, is an American street artist and graphic designer born in 1970 in Charleston, United States. Passionate about graphic design since the age of 14, he began by creating designs for t-shirts and skateboards. Influenced by Andy Warhol and Alexander Rodchenko, he quickly turned to artistic studies.

In the late 1980s, with friends from the Rhode Island School of Design, he launched a viral sticker and poster campaign using the image of wrestler André the Giant. Stuck clandestinely in major American cities, these works marked the history of contemporary street art and demonstrated the power of this new form of artistic expression.

Shepard Fairey rose to worldwide fame in 2008 with his iconic HOPE poster, created for Barack Obama, which became a symbol of the presidential campaign. In 2024, he renewed his political commitment by creating the "Forward" poster, in support of Kamala Harris. Inspired by HOPE, this work was used as murals in several key states to encourage voter mobilization. In 2021, Shepard Fairey reimagined Marianne, the symbol of the French Republic, blending street art and political commentary in a powerful tribute to liberty.

Despite legal controversies over intellectual property, Shepard Fairey continues to exhibit his works in the greatest contemporary art museums. In 2022, he created a monumental fresco in Munich, in collaboration with the Department of Art and Culture, to promote renewable energy.

Still active, Shepard Fairey proves that street art is a powerful tool for social and political change, combining art, activism and engagement.

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