Le Rotatostroï du Barine Michaël
Gustave Singier
Print - 46 x 38 x 0.1 cm Print - 18.1 x 15 x 0 inch
$520
Veronica,
1953
Gustave Singier
Print : lithography
50 x 66 x 0.2 cm 19.7 x 26 x 0.1 inch
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About the artwork
Type
Numbered and limited to 95 copies
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Medium
Dimensions cm • inch
50 x 66 x 0.2 cm 19.7 x 26 x 0.1 inch Height x Width x Depth
Support
Framing
Not framed
Artwork sold in perfect condition
Artwork location: Italy
Veronica is is a colored lithograph realized by Gustave Singier in1953.
Hand signed and dated in pencil on lower right. Numbered on lower left. Edition 37/95.
This modern print is realized using black, red and yellow colors.
The artwork is attached on passepartout 64 x 79 cm.
Gustave Singier (Comines-Warneton, 1909 – Paris 1984) was a Belgian painter active in France as part of the new Paris School of Lyrical Abstraction and the Salon de Mai. After the meeting with the painter Charles Walch, who encourages him and reveals to him the liberty of pictorial expression, he started to participate in numerous Parisian Salons from 1936 - Salon des Independants, Salon d’Automne, Salon des Tuileries, etc. In 1945 he is one of the founding members of the Salon de Mai. As with other painters of his generation, Singier discovers Kandinsky, Klee, Mondrian. In this period his art has become more fluid, thanks to the effects of watercolor. This is where the artist excels. The work of Gustave Singier expands in diverse ways: from mural painting, tapestry, stain glass, mosaics, costumes and theatre set design, burin engraving, lithographs, to illustrated works. Gustave Singier will teach in Paris, at the Ranson Academy from 1951-1954, then at the School of Fine Arts from 1967-1978. Gustave Singier, French since his naturalization in 1947, dies in Paris in 1984.
This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by an artist who has died requires a licence for export regardless of the work’s market price. The shipping may require additional handling days to require the licence according to the final destination of the artwork.
Read more
Hand signed and dated in pencil on lower right. Numbered on lower left. Edition 37/95.
This modern print is realized using black, red and yellow colors.
The artwork is attached on passepartout 64 x 79 cm.
Gustave Singier (Comines-Warneton, 1909 – Paris 1984) was a Belgian painter active in France as part of the new Paris School of Lyrical Abstraction and the Salon de Mai. After the meeting with the painter Charles Walch, who encourages him and reveals to him the liberty of pictorial expression, he started to participate in numerous Parisian Salons from 1936 - Salon des Independants, Salon d’Automne, Salon des Tuileries, etc. In 1945 he is one of the founding members of the Salon de Mai. As with other painters of his generation, Singier discovers Kandinsky, Klee, Mondrian. In this period his art has become more fluid, thanks to the effects of watercolor. This is where the artist excels. The work of Gustave Singier expands in diverse ways: from mural painting, tapestry, stain glass, mosaics, costumes and theatre set design, burin engraving, lithographs, to illustrated works. Gustave Singier will teach in Paris, at the Ranson Academy from 1951-1954, then at the School of Fine Arts from 1967-1978. Gustave Singier, French since his naturalization in 1947, dies in Paris in 1984.
This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by an artist who has died requires a licence for export regardless of the work’s market price. The shipping may require additional handling days to require the licence according to the final destination of the artwork.
Collector’s Guide
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Presentation
Gustave Singier was born in Belgium in 1909 and died in 1984.
Gustave Singier creates colourful paintings, often in warm tones; his universe is poetic, cosy, one can even discover there musical rhythms.
He belongs to the Nouvelle École from Paris, is a professor at the académie Rançon and is part of the "non-figurative" group of artists.
This painting suggests a sensitive and concrete reality, but the relationship between painting and this reality goes beyond the mere description contained in the artwork. Non-figuration is different from surrealism in that the reality from the canvas is not generated by the painter's imagination. It is also different from abstraction, as abstraction doesn't refer to any representation or immediate reality. Finally, it is also different from lyrical abstraction that expresses individual emotions in a direct way, and from gestural painting in which the only thing that matters is the gesture of the painter.
Find this artist and many more in our collection of works from the Lyrical Abstraction movement.
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