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Simulacrum,
Circa 2019
Ohad Ben-Ayala
Sculpture : bronze, bronze patina
24 x 8 x 6 cm 9.4 x 3.1 x 2.4 inch
€2,400
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About the artwork
Type
Unique work
Signature
Engraved signature
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Medium
Dimensions cm • inch
24 x 8 x 6 cm 9.4 x 3.1 x 2.4 inch Height x Width x Depth
Display
The sculpture cannot be displayed outdoors
Artwork sold in perfect condition
Artwork location: Israel
Signature engraved at the base.
Solid Bronze cast.
Unique sculpture via direct casting of which there are no copies and will not be cast in any other material.
Ships in a wooden box (listing weight includes the box weight).
Please inquire for accurate shipping costs and timetables.
Feel free to ask for more photos, information about the work etc.
Read more
Solid Bronze cast.
Unique sculpture via direct casting of which there are no copies and will not be cast in any other material.
Ships in a wooden box (listing weight includes the box weight).
Please inquire for accurate shipping costs and timetables.
Feel free to ask for more photos, information about the work etc.
About the seller
Professional art gallery • Israel
Artsper seller since 2023
Vetted Seller
Discover more by the artist
Bronze Masque (Firenze)
Ohad Ben-Ayala
Sculpture - 24 x 15 x 12 cm Sculpture - 9.4 x 5.9 x 4.7 inch
€3,700
Neolithic Bronze Figurine
Ohad Ben-Ayala
Sculpture - 23 x 10 x 6 cm Sculpture - 9.1 x 3.9 x 2.4 inch
€2,450
Presentation
Ohad Ben-Ayala, b.1981 .
Lives and works in his studio in Tel-Aviv.
The sculptures presented on this profile reflect a decade of exploring bronze and other non ferrous metals as sculptural materials.
All of the works shown here at the moment were roughed out and modeled first (from nature or an invention) using another material – mostly water based clay or soft bee-wax.
Either way, more than one aspect of each work was always left unfinished, so it could be later resolved in the final metal it was cast in, and thus giving the metal more meaning than just a casting material.
This method was meant to find some middle way between the desire to create a single, unique and individual art piece – and at the same time develop multiple other versions, with all the possibilities offered by casting and re-casting each sculpture in different materials.
Traditional methods of chasing and repousse were combined with electric and pneumatic grinding, polishing, welding and soldering.
Various bronze alloys, aluminum and sometimes brass were cast using both sand casting and lost wax casting methods. With the founder's role limited to pouring the molten metal - Each sculpture is resolved and finished by the artist's own hands.
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