Dancing Mickey
Nicolas Rubinstein
Sculpture - 49 x 47 x 27 cm Sculpture - 19.3 x 18.5 x 10.6 inch
$25,429
Mickey Fucky PM,
2019
Nicolas Rubinstein
Sculpture : bronze
49 x 30 x 29 cm 19.3 x 11.8 x 11.4 inch
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About the artwork
Type
Numbered and limited to 8 copies
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Medium
Dimensions cm • inch
49 x 30 x 29 cm 19.3 x 11.8 x 11.4 inch Height x Width x Depth
Display
The sculpture cannot be displayed outdoors
Artwork sold in perfect condition
Artwork location: Spain
Born inParis in 1964, Nicolas Rubinstein is a French visual artist. During his childhood alone, he discovered the arts (literature, cinema, artistic techniques) as well as history and science, which fascinated him. Then he decided to join the National School of Geology in Nancy and simultaneously produced his first plastic works while playing in an alternative rock group. Even when he began his career as a foreman, he eventually decided to abandon this path and focus on his passion for art and sculpture. To finance his training as a sculptor, he worked in decoration and special effects workshops in the world of advertising and the seventh art. This time dedicated to new technologies when they are not yet part of our day-to-day is a great source of inspiration for the artist. During the 90s, the theme of the animal is greater. The artist focuses particularly on the representation of the skeleton and the composition. He then began working on memory and transmission in 1999, where the bone remains present and symbolizes life and the importance of memory. In the 2000s, he turned to more modern art, enriching his artistic writing with a new symbolic element: the brain. Nicolas Rubinstein's latest works, the rat skeleton hidden in Mickey and the installation related to the elephant cemetery in Nantes, have been particularly noted by the public and critics.
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Discover more by the artist
Presentation
Born in 1964 in Paris, Nicolas Rubinstein is a French artist.
During his solitary childhood, he discovered art (literature, cinema, art techniques) as well as history and science, which he is passionate about. He then decided to join the National Superior School of Geology of Nancy and worked in parallel in the creation of his first pieces of art, while playing with a group of alternative rock. Even if he started a career as an underground manager he finally decided to give up this field and to devote to his passion for art and sculpture.
In order to finance his training as a sculptor, he worked in scenery and special effects workshops and in the world of advertising and cinema. This time passed quickly with the influence of the new technologies, even if technology was not part of our daily life yet, it was a big source of inspiration for the artist.
During the 90s, his focus on animals grew. The artist paid particular attention to the representation of the skeleton and its composition. He then started a work on memory and transmission in 1999, where the bones were still present and symbolized life and the importance of memory.
In the 2000s, he turned to a more modern art, with an enriched artistic writing and with a new symbolic element: the brain.
Nicolas Rubinstein recent work- the skeleton of rats hidden behind Mickey Mouse and the installation at the cemetery of elephants of Nantes- have been particularly remarked by the public and the critics.
Read more
During his solitary childhood, he discovered art (literature, cinema, art techniques) as well as history and science, which he is passionate about. He then decided to join the National Superior School of Geology of Nancy and worked in parallel in the creation of his first pieces of art, while playing with a group of alternative rock. Even if he started a career as an underground manager he finally decided to give up this field and to devote to his passion for art and sculpture.
In order to finance his training as a sculptor, he worked in scenery and special effects workshops and in the world of advertising and cinema. This time passed quickly with the influence of the new technologies, even if technology was not part of our daily life yet, it was a big source of inspiration for the artist.
During the 90s, his focus on animals grew. The artist paid particular attention to the representation of the skeleton and its composition. He then started a work on memory and transmission in 1999, where the bones were still present and symbolized life and the importance of memory.
In the 2000s, he turned to a more modern art, with an enriched artistic writing and with a new symbolic element: the brain.
Nicolas Rubinstein recent work- the skeleton of rats hidden behind Mickey Mouse and the installation at the cemetery of elephants of Nantes- have been particularly remarked by the public and the critics.
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